About "80" Figurative Painting Features Research

Rankings from Xu Beihong painting figurative paintings speak to introduce a number of Chinese date, there have been a hundred years of history, because of its very large audience, which has been in the form of more important paintings, along with our many outstanding realism artist's exploration and practice, figurative painting vivacious prosperity. With the development of Chinese contemporary art, anti-traditional tendency to highlight, but also by the impact of consumer culture and other factors, figurative painting as if showing a decline, so in the "80" artist in a "Cartoon Generation", "Strawberry family "" Jelly Generation "and other trendy cartoon paintings. So at the moment the diversified development of oil painting today, as the successor of the "80" How many painters continue to use figurativeic painting language, which will present a new look and what kind of features it is very related to Chinese contemporary The development of figurativeic painting.In this paper, the second chapter analyzes the "80" to select the language of realism cause, and by analyzing the upbringing and psychological characteristics after 80 formed by the clear internal motivation "80" formation of new features paintings, but also reflects art of this era is an era of spiritual and cultural external display. The third chapter of "60,70 after" and 80 together and above, the analysis of the "80" external force to promote the new features of the painting. Article by referring to relevant background information, combined with some of the "80" figurative painter and works analysis to tease out some of the typical characteristics. Use of illustrations and inductive research methods, research and analysis to draw some can not be said to be "80" original oil painting figurativeic, but there are various new features in the past, including the chart-style concealed; misappropriate any image stitching sex; almost tedious details depicted; figurative discourse penetration flattened language; indulge in micro-oriented narrative. The emergence of these features are compatible with their aesthetic psychology, and in the fourth chapter discusses the impact of these new features, more negative reflection behind issues such as the commercial market face problems and propose some self views, figurativeic painting with a very broad audience of, you can better social responsibility and hope "80" figurative painter can walk out from the microscopic narrative, an active part in social development and change in an effort to better serve the community; China booming contemporary art market has led some "80" figurative painter early fame and achieved some economic effects, but in the creation must not cater to the market, and lost the artist's creativity; flattened using better help convey the idea ofthe artist, but not into the secular, painting lost the technical capacity, affecting the quality of work; Picture stories in today's social force, the use of oil painting in the image has been very rampant, I hope "80" artists to improve their own cultural training of art has its own unique insights, no image can not be dropped to the creation of the situation. These reflections thereby hope to have more "80" oil painting seriously enough to make us "80" figurative painting more exuberant vitality of the arts.This new feature of "80" figurative painting is a dynamic development, likely with "80" figurative painter grow mature and change. But now the analysis and documentation are also found on the future trend of Chinese figurative painting reference for contemporary figurative painting art are also some guidance and reference. The "80" figurative painting contemporary figurative painting Chinese characteristics will inject new vitality, will promote the development of figurativeic art.