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Liyuan Pull The Soul Of The First Chamber

Posted on:2009-08-19Degree:DoctorType:Dissertation
Country:ChinaCandidate:L XueFull Text:PDF
GTID:1115360245492408Subject:Music
Abstract/Summary:PDF Full Text Request
At present, the local folk opera's survival and development is plagued opera sector and the arts and culture department in charge of a major issue,but also a large number of people of concern to be studied in a field.Based on current development in the Sulu and Yu-wan at the junction of the four provinces civil local opera "pull cavity soul" as the research object,to pull soul running through the cavity region as a cultural regions - Huaihai areas, and using their Huaihai regional comprehensive study of regional research combined approach of the drama to pull soul cavity integrated multi-level,multi-angle,interdisciplinary nature of the regional cultural study and research on the current situation,in this perspective on the pull cavity soul has not yet seen the study , This research-oriented topics providing greater research on space.pull cavity soul in the Sulu area at the junction of Yu-wan indisputable is the first cavity Opera loudly. The author intended to explore the origins pull cavity soul, formation,survival,development,and other aspects of the situation , and how their regional cultural environment in which the relationship between it.In the topics of the study,to folk music in the field of Science examination methods for the most basic research methods,and integrated use of the related disciplines of sociology theory and research methods. Eventually,a regional cultural horizons,anticipating Rafah soul cavity and regional cultural ties.Research topics by the author recognizes that: pull cavity soul in a special area within the scope of the embodiment of a culture integrated.Such a synthesis of regional culture,not only refers to the geographical area of the environment and cultural backgrounds,but also to specific dialects and customs,and other aspects, which are the characteristics of pull cavity soul formation imperceptibly even played a tremendous impact.We also feel that pull cavity soul is not only a folk art performance, but also a representation of the regional culture and regional culture plays an important role,and regional and cultural characteristics Huaihai important component of the existence of a natural historical value and social value. At the same time it is not difficult to find,because of regional culture cavity pull the existence of the soul,it features even more obvious, visible, pull soul cavity characteristics and regional cultural characteristics is not only an interactive relationship,and both the evolving with the times and development.As pull cavity soul , in the development of its own characteristics,while still relying on the need for regional culture,which in its non-material cultural heritage protection in the full attention to this connection,the author of pull cavity soul to the survival and development of cavity views , ideas and suggestions.In short, these field trips with access by the first-hand material , when folk music art can be used as non-material cultural heritage protection of material evidence and theoretical basis.The author of pull cavity soul of this regional cultural cavity inspection and research,for the local folk opera is the epitome of study,therefore,on the nation's soul large cavity such as widening the local,regional folk opera Opera Research some learn.Selection of points of this paper is the author of the study on the real beginning of academic research,intends to study such issues as the future of the Program.
Keywords/Search Tags:pull cavity soul, Regional Culture, Huaihai region, Tune, Opera
PDF Full Text Request
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