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The Moving Oho Cavity,The Weepy Fairy Cavity,The Changes Of Chu Opera Cavity

Posted on:2019-03-19Degree:MasterType:Thesis
Country:ChinaCandidate:X W WuFull Text:PDF
GTID:2405330548967603Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Some people have praised hubei as the "dramatic province".Indeed,it has produced more than 20 traditional Chinese traditional operas,such as chu opera,han opera,nanju opera and yangxin tea ceremony,etc.The chu opera is one of the most important operas in hubei opera art.It originated from huangpi and xiaogan area and flourished in wuhan.It has a history of more than 170 years.It not only represents a good chu culture,sends out the rich local characteristics,but also in promoting the development of the local opera which made an important contribution to the nationality,and was deeply loved by the masses.For the local people,the long song is crying,and the tragic cavity is undoubtedly the most beautiful part of chu opera.It is euphemism,excited,as if it is crying to express the joy and sorrow of the play.This thesis is based on the chu opera and beiya cavity.The main research object is the people's aesthetic taste of beiyavcavity in different period,from formation of the chu opera,to the artistic features and the aesthetic taste of the masses at different periods,and beauty of the chu opera as well as the protection and inheritance of it.In order to study thebeiya cavity.Part 1:introduceing the features of beiya cavity by different performances in different periods,including:oho cavity,xian cavity,and fairy cavity.Part 2:the changing of people's aesthetic taste before the founding of the People's Republic of China.Including oho cavity,ya cavity and beiya cavity.Part 3:after the founding of People's Republic of China,life is changing a lot.this part expounds the rugged sadness Ya cavity after the founding of development of our country,people's aesthetic taste towards beiya cavity after the reform and opening campaign.Part 4:This part is a extensionof this thesis,including the difficulties that the chu opera met in the new century,the protection of intangible cultural heritage and inheritance and the situation,significance as well as the measurechu of sending chu opera to capums.The last part is the conclusion of this article,elaborated the deficiencies of it.At the same time,pointed out the direction of research.
Keywords/Search Tags:chu opera, Spoke, Social change, Aesthetic, development
PDF Full Text Request
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