Studies On The Imitation Of The Painting Of Landsacpe Created By WuMen Faction

Based on the research into the creation of the paint of landscape and the probe of the theory of the paint of WuMen faction, the subject of the essay is to coordinate the inner relationship between the formation of landscape and the individualism and to analyze the method of the visual image's participation in the formation of regional culture. In addition, it also analyzes the effects of acceptance concept on the development of significance and style and presents the specific view of the paint in the districts of SuZhou in the second half of the Ming dynasty. And through the subjects above, the essay definitely analyzes the significance, attribute, characteristic, and the function of imitation in the specific space time.The essay probes into the imitation in the paint of landscape of WuMen faction from the aspects of the connotation, concept of formation, the function of the view and the acceptance concept. From the research we can find that the imitation of the paint of landscape of WuMen faction contains not only the imitation of the traditional style but also the expression of the painter and the creation of his style. Through the using of the development of forming the paint, the reference of the drawing methods, and the borrowing of the former subject, the WuMen faction makes the painting become the approach and the medium of conveying the concept of exceeding pursuing and the concept of differing nobility and philistine. And from this, the imitation of the paint of landscape expressed a strong character of knowledge. The acceptance system has a great effect on the formation of the image of the landscape, and it also makes the imitation enriched, developed and even recreated in its historical spread.From the point of connotation, the imitation has an obvious tint of metaphor; and to the concept of formation, the deep relationship between imitation and the situation, identity and the choices of the knights of the pen literature in the Ming dynasty; as for the function of the image, the imitation of the paint of landscape is not only the imitation of the art, but also the things with cultural and symbolic characteristic; from the angle of the meaning for the painting history, it enhanced the formation the artistic system in the end of the Ming dynasty and the beginning of the Qing dynasty and the development of the style.The essay analyzes the complex metaphor in the imitation of the paint of landscape. In addition, it also analyzes the base and concept of the root, expression and the acknowledgement from the angle of the relationship between the specific crowd and the social history. This kind of research is certain to be involved in many fields such as social history, cultural history, and theoretical history and so on. So the analysis the imitation of the paint of landscape of WuMen faction is a compound analysis absorbing the advantages of other subjects.