Reflect On What I Perceive, Paint What I Ponder

The thesis focuses on the production of my graduating assignments ofFloating with the Wind and Confusion, elaborating the conception, development,technique, post event reflections and reflections on the bottleneck. Iexperienced a conceptual change during this over one year period of production.My horizons have been broadened, and I generated an even more solidtheoretical foundation and valuable experiences for future productions after thisreflection.For this graduating production, I conceptualize my reflections on life andmy moods at this period, look for my own enlightenment in real life and findmy way out in between traditional and modern approaches.Standing in front of the two paintings and looking back on the productions,I had to the greatest extent the resolution that I would think more proactivelyand clearly regarding what and how to paint later on. The painting was acollection of numerable moments of short memory. Reflecting on it now, it doesnot matter what to paint; what it matters is the feelings deep down and themoods that drive them vivid, as well as the sensibilities developing with thefluxes of realities. In front of the desk and with an inspiration tracing back tothe heart, a painter gathers those objects that are rarely or not together in realityinspired by a connection in the conscious mind, resulting sympathetic responsesfrom audience. Those results do not come randomly but subject to the painter’sartistic accomplishment, as well as unique perceptivity and savvy to discover, tofeel and to produce.