Research On The Issues Of Style Of Han Dynasty

Han Dynasty was a period that ancient styles occurred great change. In Han Dynasty a lot of styles had existed on the whole, and the system standards of styles had established. The paper selected the development of the Han Dynasty style, style criticism, style and Confucian Classics, style's imitation as breakthrough point, trying to grasp issues of the Han Dynasty styles totally, to reveal the process that Han Dynasty literary how to be coming conscious.Chapter I mainly inspected the main styles'development, the style features and the literature self-consciousness that they reflected. Han Dynasty had emerged the new forms of poetry——YueFu poetry, poetry with five characters in a line and poetry with seven characters in a line. Han Fu is the most beauty form of the styles; this embodied the writers'pursuit of literature aesthetic, and implied that the Han Dynasty literature began to stipulate self by beauty. As a result of the Han imperial court ceremonial system of great importance, such as Lei, Bei, Song, Zan, Zhen, Ming styles also had a great development. Lei, Bei, Song, Zan, Zhen, Ming styles had broke through the principle restriction of Confucian acme of perfection, in order to recover realistic virtual person or the technique of writing performance, completed the practical to the aesthetic of transformation, to become a practical writing of literature to create. ShiJi and HanShu in the structure of the system, people-centered model of narrative consciously literary practitioners and awareness creation made greater achievements of the future historical and literary works had a far-reaching effect.Historical consciousnesses of the practitioners were consciously writing activities for personal and cultural existence of the personality, and promote the full development of literature and independence was of positive significance. Overall, the Han Dynasty from the literature was to break the shackles of Pre-Qin music culture, had changed the concept of literature, it showed that the language of the new forms of precarious pursuit, individuals paid more attention to lyrical value and entertainment value of an independent development path road.Chapter II from the view of style criticism analyzed Han Dynasty style consciousness, style classify way, style norms and the style meaning of "Li" in Hanfu. This chapter investigated the development of the Han Dynasty style inherent logic of criticism, emerged Han Dynasty style criticism gradually conscious process. The author in Han Dynasty often wrote by the style and classified for style and edited works by the style standards which showed the author's style consciousness had been relatively clear-cut sense. HanShu on the basis of their predecessors divided the ancient books into six sections, the poem and HanFu came one class singly, that indicated that the Han Dynasty begin the distinction between literary texts and non-literary texts, but also means that the literary style of ancient cultural systems was recognized. Gradually the Han Dynasty styles classification categories to the form factor to the style based on classification, achieved the fundamental transformation of the style categories. As a result of Han Fu-fan style, literature, strong infiltration of factors, confusion was the misuse of increasingly prominent style, in order to strengthen cultural norms, Caiyong's DuDuan and Liuyi's ShiMing explanted the origination of the styles and standardize the style of the shape, function, format, such as the use of the object and scope. Most of the Han Dynasty styles developed their own style norms and standards of writing at the birth of a sprout. Style classification and the establishment of cultural norms was not simply the form of style, it involved the "Wen" understanding of the connotation. The "Wen" in Han Dynasty was cleaner than Pre-Qin, "Wen" meant the form of written language gradually attributed to the expression; literature also highlights the significance of it. "Li" was the most typical style characteristics in HanFu, it was the important factor to stipulate the HanFu style. The action that HanFu writers adhered to the "Li", indicated that they handled literary language in the emergence of non-utilitarian aesthetic attitude toward the Han showed a conscious awareness of literature, marked the beginning of a literary form to define their own language.Chapter III Han Dynasty inspected focally by cultural factors, especially the impact of Confucian Classics. Any style of discourse was not simply a way of style and structure; it was people's cultural values reflected. Han Dynasty Taoism, the concept of gods, customs and culture, as well as music and cultural factors, such as painting art from different areas to varying degrees, affect the style of Han Dynasty. Han Dynasty was the era of Confucian Classics, it was not just an academic, and it was a political instrument of national rule, hegemony and ideological value system. Han Dynasty Confucian Classics the major impact of the styles manifested in two aspects: First, by the Confucian Classics of the political style of the Han Dynasty and the legalization of the impact of cultural awareness; second, by learning the classic text style of the Han Dynasty generated genre, stylistic features of impact. In order to better enable their own creativity into the political activities, the literati style began consciously to achieve the transformation to find the most suitable for recognition, the maintenance of a unified political order and cultural style. Political papers, Hanfu, Historical records to show the posture advice. From the relationship between literature and the power of view, the legalization of the Han Dynasty style was not an inevitable outcome of cultural development, nor was civilian rulers'advocacy efforts or the results, but writers and the rulers in power to seek and give the process of a product of conspiracy. Han Dynasty people were referred to the strong sense of their Confucian Classics, they though "Five Classics" as the maximum norm and the source of a variety of sports. Writers tended to write the text directly using the classical style had been the type of book or by pumping from the Sounds of the potential of a form of cultural development, or in accordance with the said by the name of restoring the old standard. Classics sense of the Han Dynasty and the interpretation of the cumbersome way of learning a direct impact on the character style. After the Han dynasty for the hundreds of articles, according to articles in the "language" abound, emitting a thick atmosphere by Confucian Classics; and Han Fu's rhetoric with the ultimate aim of fostering the disadvantages of cumbersome Confucian Classics also exists between the spread of the relationship between a certain isomorphism.Chapter IV focus on the Han Dynasty to be inspected for the cause, intended for the situation, and the style intended for the development of the relationship between innovations. The development of the Han Dynasty style creations unique and important phenomenon, the main styles of Han Dynasty were repeatedly proposed to be, it was important to also have a simulation of the literati. The imitation contradiction between "say" and "creation", the conservative Confucian Classics of creative thinking, as well as the concept of the literary, aesthetic taste, psychological reflection of the creation. The Han Dynasty was the critical period that occurrence, development and shape of the critical period, to be repeated by the writers for the new style would be able to access the effectiveness of the institutional norms and authority as a cultural practice, and the development of a new type of style; the old certain forms of cultural factors could also be adjusted, change and transformation, which showed a new vigor and vitality. Imitation was a process of interaction that abided style and explored the style, in Han Dynasty a lot of style gained admitted in the imitation, in the consentient gained development, and in the development finished creation. Imitation and creation was unification of opposites, pre-text and imitation-text mutually expound, all that undoubtedly promoted the development of the Han Dynasty styles. Imitation was a process that creation practice and theory explorations united, in order to imitate effectively; the writer must read a lot of works, explored the style origination, grasped firmly the style's structure system, language characteristic, expressed way, thought style's inheriting and creation, pushed forward the development of style theory development. In this paper, we found the styles in the Han Dynasty began to break through the restraint of Pre-Qin Confucian, consciously to seek the aesthetic features of literature itself and aesthetic values, reflected individual feeling, literature and literary significance of the existence of the form self-revealing information and gradually start independence.