A Study On Description For Music Experience Of Sensibility

The study on description for music experience of sensibility is exerted in this article by the following question: the sound of music exists for the hearing of receiver, so which aspect of the sound can the receiver understand and how can he/she describe it?This study is mainly concerned with the subject and object of description for music experience of sensibility in the process of receiver's interpreting the sound aesthetically and the concrete design of aesthetic dimension of music. The article involves the theoretical and practical dimension of the proposition, the case study and inner triplicates, etc which are reviewed, proved, analyzed and studied from theories to practice. It concerns the following aspects such as the definition of proposition, the relevant study background, direct and indirect theories, theory of duality, delimiting the aesthetic dimension of music, the case study of music works, the integration of inner relation among the aesthetic dimensions and self-evaluation of the proposition, etc. And, it explores how the receiver perceives music experience of sensibility by the direct aesthetical experience while appreciating the music; the exact demonstration of sound in aesthetic dimension; the sensitive description of music experience of sensibility; the conclusion of dimensions in the case study, etc.The introduction attempts to explain the relevance between the conceptual elements by analyzing the structures of the core concept "music experience of sensibility". A thorough literature review is followed by the elaboration on direct and indirect relevant theories and the theory of subject is emphasized as the main theory relevant to the proposition. The theoretical dimension of the proposition discusses about the theory of duality based on the experience of sensibility: one shows that the descriptive object of the study is the music experience of sensibility; the other demonstrates that the description of the proposition is the subject's sensitive description of the music experience of sensibility. Meanwhile, the practical way of sensitive description is raised to explain the existence of sensitive and rational components of music. The opinion that the sensitive description is mainly concerned with sensitive component of music is also put forward. The practical dimension of the proposition discusses about two aesthetical mode shapes: the comprehensive mode shape involving both the metaphor and non-metaphor, one dimensional and metaphysical mode shape. The former that is comparatively monotonous chooses and delimits the dimensions according to the tendency of receiver's aesthetical instinct and listening experience which are more evident, and explains the criteria of aesthetic dimensions by illustrating the music works. However, the latter represents the relevant aesthetic evaluation in the deeper way. The case study and inner triplicates firstly analyzes the sound of music works and proves the effectiveness of delimiting the dimensions by describing how the music experience of sensibility represents the dimensions during the course of attentive listening based on the music works at home and abroad closely related to each relevant aesthetical dimension. It secondly summarizes the feature of inner triplicates in aesthetical dimensions: physic; between physic and metaphysical; metaphysical. The conclusion reports the whole process of study from the perspective of research summary and sustainable approach. It puts forward that the music criticism writing of concert is the effective way of field work of sensitive description and that it is necessary to fulfill three logical shifts in music criticism writing. Furthermore, the practice of describing the music experience of sensibility belonging to the reception aesthetics should be exerted by awareness of questions so that the research nature of raising, pondering on and answering the question based on music aesthetic reserves could be developed.This article puts forward the theory of duality, two mode shapes of aesthetical dimensions and some original terminologies and provides an approach in studying the music experience of sensibility in the field of music aesthetics through the basic knowledge of "the receiver describes music experience of sensibility by employing sensitive way".