Research On Sound Structure Of Sensibility And Movement Of Sensibility Formed By Aesthetic Judgement

This paper mainly dedicates to research on sensible listening ways, sensible ability and those factors contained in the effective aesthetic judgement. Which relate to the following questiones: If the sensitivity has the ability to control the process of sound completely and orderly, when the enjoyment of music as pure sensible process? Provid it has the ability, is it transcendental or experience? How about the relations between the ability of the transcendental sensitivity and the experience of sensibility? Then, as for as the effective aesthetic judgement, what sensible ability that subject should have, which means that what key factors sensibility need to have when sensibility transfer to the music works correctly and control the progress process of sound reasonable?The paper is to discuss whether the sensibility has the ability to control the process of sound orderly, which is based on the description and thoughts of the specific music work's sensible process; analize what types that sensitivity controlling sound in practice. Then, this paper mainly research on the abilities of the sensitivity in organizing sound. After assimilating Kant's correlative academic production in transendetal sensibility, and studies one after another on hearing sensitivity's transcendental ability and its' performance mode, hearing sensitivity's experience factors and the operative ways. The paper is also discuss the relations between transcendental sensibitity and experience of sensibility, analize the sensible structural experience process brought on by transcendental sensibility through the idiographic example. In the end, the paper summarize the sensible factors and requests demanded in aesthetic judgement of music.Accordingly, the paper make certain the relative questiones and the theories in advance, which based on fixing on the paper's theme is on subject's sensitive ways and sensitive ability, organize the reasonable theory structure through absorbing the relative theory resources in Kant's philosophy: the paper studied the transcendental ability and performance ways in hearing sensibility based on Kant's transdental sensibility, analize how music meaning acquired after structural sensible experience process based on Kant's research on imagination and apperception; put forward the hypothesis of movement of sensibility in category of music aesthetic, which consulted on Kant's conclusion in logic fuctioin and four movements of aesthetic, Besides the theories support, music works are given in the paper to drive the research and to prove the standpoint's rationality.Furthermore, the paper bring forward the term, "Sound Structure Of Sensibility", which is said by the first time, and is important to the paper "Sound Structure Of Sensibility" means that: under the infection of the sensibility itself's system and structural ability, the sensibility's presentational results after sensibility's organizing to sound in the listening process. That is to say, in the detail process of music aesthetic, sensibility's optional ability to the scattered sound material, and organize to the material again according to the intriusic fome of space time, form the significative "sound system in sensibility ultimately.According to the above, the paper will reply to: sensibility has the ability to coordinate and organize sound materials in listening process, and form the orderly sound structure of sensibility, structural ability of sensibility is from structural potential of transcendental sensibility but is will not change to the realistic ability unless when it is in experience and the sensibility structure can be showed in apperceive of experience. In fact, the sensible listening process of the music works is just the structural experience process based on sensibility. While effective music aesthetic judgement ask the subject to possess of sensibility and intellectuality, which developed in experiment of sensibility.After studying on movement of sensibility in sound structure of sound and music aesthetic judgment, the paper works a conclusion: music aesthetic is the process of structural aesthetic experience based on sound structure of sensibility, and it aquires the effective music aesthetic judgement ultimantely, which is intepratile influuced in imaging and apperception.