Research On Sao Type's Poetry And Fu Of Han Dynasty

The concept of scientific style should refer to a complex whole which in certain order of discourse and be consisted of text body and text slyle. The literary style may change with the times and context change, it is also possible there was no showing of original appearance at that time, so the definition of style should refer to the age factors. It is a feasible methord that distill the common attribute from works of Sao ,and take this as Basic characters to define the Han Dynasty works of Sao type. It is the fundamental basis to determine the Han Dynasty works of Sao type from which created by the hans in "Chu Ci Zhang Ju", through the analysis of these works, we may draw the conclusion that: the works that take The "Xi" sentence as the main sentence belonging to the Han Dynasty works of Sao type. and put forward the issue that the two concept Sao and Chu Ci may be different. the Han Dynasty poetry of Sao type including Chu Ge, poetry, and the Yue Fu verse named after speech, music, gymnastics, citing,and so on. the Han Dynasty Fu of Sao type include works in "Chu Ci Zhang Ju" created by the Han writers,and works of Sao type which are named after Fu beside Chu Ci Zhang Ju. The style of Fu which Sao prose interphase free prose can not be called Sao Fu.Huang-Lao thought contained two components of Taoism and Legalism, It become prosperous in the early Han Dynasty because of the rulers promot, and thus lay the basis of survival in the folk. Huang-Lao thought retreat to the political second-line after Emperor Hanwu, in which the idea presented a Legalism back and Taoism forward trend, which is the ideological creation basis of the Han Dynasty poetry of Sao type. under the monarchy of Great Unification, the intellectuals have experienced tremendous mental pressure, mainly lies in four aspects:Confucian scholars'sufferings in early Han Dynasty which derive from the Suppression of the early Han ideology, duke guests's disaster-frightened psychology arising from the contradictions between kingdoms and central government, the intellectuals'fear of despotism,the insecurity sense arising from political chaos created by the eunuch and exterior relatives. In the event of some kind of stimulus ,these pressures will burst forth and become the direct internal cause of Sao Fu creation. The existing Taoism elements bring out the combination of feature which contains both sadness of Chu Sao and inactions of Taoism.There are three kinds of main Lyric purpose in the Han Dynasty poetry & Fu of Sao type, including expressing hidden bitterness, reflecting allegory and showing praise, as far as expressing hidden bitterness, which can also subdivided into three categories:telling about injustice; bemoaning impermanence, pouring out affection,and reflected the tendency of expressing aspirationsin. the Han Dynasty poetry & Fu of Sao type displayed three new trend while inheriting sadness tradition in Qu Sao:the lyrical scope was widened to praising the emperor or hero's tribute and the appreciation of natural scenery, etc.; emotional center shifted from the Emperor to self instead; The spirit of hero in Qu Sao which contain dual immobilization of self and society has almost disappeared, thus shifted the Han Sao lyrical momentum to weakening.The unique style art of the Han Dynasty poetry & Fu of Sao type is mainly reflected in two aspects: forms and genre. From the view point of forms, the Han Dynasty poetry & Fu of Sao type presented as dynamic and static co-existence state. As to the poetry of Sao type, the regnal one always hold the style of Chu poems through the Han Dynasty, but scholars one changed from dispersed to one-piece. As to the Fu of Sao type, the works style in "Chu Ci Zhang Ju" is strict relatively, the other ones except from "Chu Ci Zhang Ju" presented a dynamic development where the Qi prose and ragged prose were traded off. The Qu Sao style and the essay style of pre-Qin period were inherited and mutual influence in the Han dynasty, contributed to the generation, development and flourish of Sao prose alternating with free prose. Style also includes writing rhetoric and aesthetic ideals. The poetry of Sao type is major in natural, integrated with the blandly and elegant; The Fu of Sao type regard the fresh and elegant style as inside secret, and the gorgeous words as a decoration. Integrated the aesthetic ideals of poetry & Fu of Sao type,we can find that the aesthetic ideology of Han Dynasty inherited from there parts:the Sao works'sorrow style of pre-Qin period, the natural interest of Taoist aesthetics and the harmony interest of Confucian aesthetics,thereby the poetry & Fu of Sao type presented an aesthetic inerests regarded sorrow,nature and ration as beauty. The development of poetry & Fu of Sao type in Han Dynasty presents a composited characteristics.The poetry & Fu of Sao type in Han Dynasty and the Song Yu's "Jiu Bian" have affection in common and style in differenc. The works of Sao type after Han Dynasty have become more and more exquisite in style, and secular in emotion,reflected the intermediate role of Han Dynasty works of Sao type in the flow and deformation history of Qu Sao.