Resarch On Nan She Literature And Generation Of New Literature

Nan She is revolutionary Character by Analyzing Name, identity, relationship of founders such as Chen Qubing, Gao Xu and Liu Yazi. When their first meeting, their influence has been displayed by all the people who attend the meeting. The distribution of influence foreshows Liu Yazi's gaining leadership of Nan She in the future. Liu Yazi is the clue of the development of Nan She to illustrate its history. Discourse is as important as the comment,Nan She is the most important organization in the modern literature history. Its revolution character could be studied via the names, identities and the relations of the founders such as Chen Qubing, Gao Xu and Liu Yazi. Nan She was formally established in 1909. This paper set forth the reason that why Liu Yazi became the leader by illustrating the conflicts in this organization and the relationship between the people who attended the Hu Qiu meeting. The spiritual leader, Liu Yazi, went through"revolution"and"be revolutionized"before establishing his leadership in Nan She. However, his dispute with Zhu Yuanchu over"Zong Tand"and"Zong Song"resulted in the fallen of Nan She. This thesis sorts out the process and the reasons of Nan She's inner splitting up of power by analyzing Liu Yazi and the chores in it.This paper deals with the generation of modern literature through studying Nan She. The origination of New Literature has a great connection with the literary reformers such as Liang Qichao in late Qing Dynasty. But, the study on the transformation from his"revolution in poetry","revolution in literary works"and"new novels"to New Literature and New Culture in the May 4th Movement period remains untouched. This thesis fills a gap in the transition from the late Qing Dynasty to New Literature in the May 4th Movement period through studying the origination of Nan She modern literature. This paper analyzes the connection between Nan She and New Culture Movement by studying languages. They have difference in vernacular writings in nature. Nan She made a great contribution to the popularization of vernacular writing. Its Vernacular Theory is based on the need of politics, whereas the Vernacular Theory of the New Culture Movement is in accordance with the development of literature. Referring to novels, its works, which had a non-political point of view were flourishing and had a great difference with the late Qing Dynasty and New Literature in the May 4th Movement period as well. As for the enlightenment, the theory of Nan She is to enlighten the public, while the New Culture Movement paid great attention to human beings.This paper studies the poetry of Nan She so as to analyze its transition character. Its poetry has a great nature of times. It inherits the characteristics of Huang Zunxian and Liang Qichao but has different features with the classic poetry. Nan She's poetics absorbs the theory of the new artistic conception in old style, but it diverts in the process of invention. It has a great utilitarian nature. Its poetry in a whole is gloomy, frustrating, deep, and full of patriotic sentiments as well as romantic. All these features are symbols of its transitional characteristics. Nan She's poetry is an era in miniature. History can be seen through reading these poems, but conversely they are evidence of history, especially the unstable period of China.This thesis analyzes the similarities and differences between Nan She and New Literature by comparing the novels of the representative of Nan She Su Manshu and Yu Dafu in the New Literature in the May 4th Movement. Both are sentimental and love romantic style. They write autobiography. To a large extent, they are the same in tradition. Although the manifestation of perspectives on women is the same, they have essential distinctions. Yu Dafu's feminist approach is women adoration which is based on the denial of the value of men, whereas Su Manshu's feminism is a male chauvinism based on the Buddhism conception.