The Research Of Image's Constituent Of Chu Ci

The idea-image, as the ontological characteristics of poetry, includes four elements:"emotional experiences"and"cognitive rationalities"belongs to the"idea"level and"objects"and"phenomena"belongs to the"image"level. The idea-image constitution refers to each of these four elements relations and generates a single image and composite image in text. Based on this thought, the idea-image constitution of Chu-Ci includes the following contents, such as choosing"image", expressing"idea", the conjunction of the idea and image, and the idea-image setting and assembling in text, and so on.The image by the Chu-Ci authors selected can be divided into the"objects"and"phenomena"."Objects"includes"natural objects"and"artificial objects". The former referring to purely objective that relatives to the outside of the"subject", such as plants and animals, geographical and astronomical names, climate and season, and so on; the latter referring to human affairs and things associated with the human beings, such as gender, organs, physiological characteristics, disease, clothing, utensils and social role, etc."phenomena"includes"real phenomena"and"virtual phenomena". The former referring to real things happened in the world, including mainly"historical phenomena"and"reality phenomena", the latter referring to the virtual things by the creation subject, including mainly immortals and ghosts, benevolent animals, imaginary things by author such as touching the sky and spirit traveling successfully around the universe, etc. Generally speaking, the selecting image behaviors of Chu-Ci authors have the characters of strong regional culture accumulation, the abundantly and widely selected range, and the brightly imagination and fiction, It has relationships with geographical environment and cultural characteristics of CHU, the communication between southern culture an northern culture in Warring States Period, the aesthetic psychology of Chu people and author's personal accomplishment, and so forth. In order to express the unfortunate and worried feeling, the authors of Chu-Ci in the warring states mid-late period often place lots of"emotional experiences"and"cognitive rationalities"in"image"for save themselves. The"emotional experiences"mainly includes the feeling of admiring model and maintaining ethics, the sadness in improper times and states decay, the resentment because of injustice, the emotion of unswervingly loyal to his country, and such. The"cognitive rationalities"mainly includes the experiences learning from history and culture, the rules generalizing from his life experiences, and the like. For transmitting these"idea"accurately, the Chu-Ci authors take two ways that immediate expression of idea and indirectly expression of idea by means of image to set the topic and arrange articles.If taking the viewpoint of Gestalt psychology as a reference, we can find that the ideas and images selected by the Chu-Ci authors can agree with the psychological identity of different qualities sharing same structure. Namely, in the preparatory state which precedes the act of writing poetry,"images"have some characteristics that can let the creation subject produce different emotional experiences and cognitive rationalities. It's essentially a physiological phenomenon growing out of Cerebral Cortex, though can be experienced as the nature of images in the cognitive psychological field of the creation subject. Thus,"images"can conform to"ideas"by psychological experiences that show similarity with the medium of cerebral cortex. There are mainly four compatible forms in Chu-Ci, such as the conjunction of image's appearance and the creation subject's emotional experiences, the conjunction of image's appearance and the creation subject's cognitive rationalities, the conjunction of image's nature and the creation subject's emotional experiences, the conjunction of image's nature and the creation subject's cognitive rationalities, and everything. Because the aesthetic experience difference of authors and readers, including the fusion characteristic of idea-image itself, this distinction is actually relative.After the image in mind formatting, the Chu-Ci authors resettle and operate them. This work is mainly embodied in arranging the position of idea-image and combining them. The former is concerned with placing idea-image freely on the starting position of the text, or the middle, or the end. It marked the poetry independence in certain. The latter is concerned with the combination patterns of images, and it can be divided into three main types: co-representation, induction, deduction. According to the specific logical relationship, the Chu-Ci authors consciously constitute s the complex images system by coordinating or alternating ways within each type.From the perspective of idea-image's constituent,"Chu-Ci"has the transformation meanings to Chinese poetry. It expanded the category of selecting image, and opened the author's vision, and enriched the implications of expressing ideas, and improved the artistic expression. This shows that Chinese poetry began to get rid of the rite and possess preliminary independence. It makes China poetry begins with the diversified evolution tendency in theme and type. More than that, the subjective motile literary creation of Chu-Ci authors let them consciously pay attention to the creation idea course which have the identity of things with persons in the course of managing the idea-image, and it make the image management of Chu-Ci authors show the multi-angle and multilevel features. It established the basic paradigm of ancient Chinese poetry idea-image, and promoted the diversified development of Chinese poetry idea-image's management.