Persistence And Transcendence

The paper consists of six chapters. The concept of daily life is defined in the introduction. Both the clues of the daily life narration for female in nearly thirty years and the condition of the female writers in Hubei are discussed.The writing situation of the female writers in Hubei is discussed for five sections in part one. In the early1980s, a clear awareness of women is not formed in the novels which wrote by Chi-Li and Fang-Fang. The style of them is consisted with the social identity of male. After the mid of1980s, their writing style is incorporated into the new realistic trend by critics. And their creations are followed with realism literary tradition. The novels wrote by Ye-Mei have a special meaning in the1990s. New scenery is added for the narrative of daily life by the appearance of Yao-Emei and Ye-Mei. In the twenty-first Century, more and more young women writers emerged, a colorful appearance is shown. In the final section of the chapter, the generation characteristic is concerned. It is concerned that the first generation is a generation that focus on the daily life.The second generation is a generation that discover the questions of the daily life. The youngest generation is a generation that made up a daily life.The culture complex of water is discussed in chapter two. First, both the cultural connotation of water and the water in the writer’s mind are explained at the beginning of it. Second, Many imagines are researched in the chapter, such as the river, the rain,the moon,etc. At last, many kinds of female characters are discussed.For example,the style of the women in a competition is indomitable,bold and vigorous and the intelligent women whose wisdom and spirituality are more important and the wild Tu-jia women who are single and sincere. Overall, the traditional proposition of woman likes water is taken on a new meaning by the writings of Today’s female writers in Hubei. Wisdom, wildness and termagant are shown in a new life tide.The narration of the space of the daily life is discussed in the third chapter. There are four sections in this chapter. The cramped space where the women lived is researched in the first section. It is considered that the rate of the rural female is miserable. Their golden dreams are damaged by cruel reality. Meanwhile, a sort of underclass is reconstructed by Hubei’s female writers. They stressed that the underclass stand for the cause of a great life. The author also analysis the influence of the roads and the streets for the female. And then, the fate of the female migrant workers,the nannies and the female white-collar’s are researched in the paper, too. The space has a special meaning for the female.It is not only the decent house to live in but also the space of the minds. The struggle and dilemmas of females when they faced with all kinds of difficulties have been displayed in Hubei’s female writers’ work.Daily communication is discussed in the chapter four. It is divided into three sections. It is the author’s opinion that the daily communication has extremely rich aesthetics implication. Writing in dialects is also discussed in the part. The author points out that the real living has displayed by the style of daily communication.we can get a new feeling by read it. Daily game has been discussed in the second part. The gamble and the ceremony funeral have also been researched in the paper. The part three focuses on discussing the traditional mystical culture discribed by them. It is also pointed out that the mysterious traditional Chinese culture makes the writers have great power of the invention and the imagination.The fifth chapter centered around the love writing. The older writers such as Chi-Li and Fang-Fang have been discussed. It is pointed that Fang-Fang is disappointed in the sweet love and Chi-Li is greatly identified with marriage. In section two,it is pointed out that the warm and the legend about love have been wrote in the female writers after70young generation. Third part focus on the characters about the new man whom appeared in the after80young generation’s writings. All of these expressed an yearn for a beautiful love of the young generation writersBirth and the mother love have been discussed in the sixth chapter. It is pointed out that,on one hand,the female writers think that there is no greater love than mother love, on the other hand,they don’t tend to idealism the mother love. Through context analysis,it is pointed out that the writing of Hubei’s female writers have some characteristics. For example,they write about the local women. In their daily life narrative, they never give up on the social perspective, historical thinking, in quest of life, etc., Qu-Yuan’s spirit of" long way to go, I will seek " is also the Hubei writer’s most important spirit. The weakness of the Hubei’s female writers is that they should write greater novels which contained more information about history, culture and meaning.