Study On Parody Phenomenon Of Literature Since The New Period

Parody is an important concept from ancient western literary theory, it wasoriginally a linguistic rhetoric. Modern times, since the reference and use of ModernArt rhetorical method, parody is to introduce the field of fiction, poetry and literarycreation gradually from a local skills development as a mature literary style. Parodyusually refers to writers, artists in the creation of deliberate imitation of the existingmode of discourse, the classic mode, literary paradigm, placing it unfit or oppositecontext to imitate objects ironically, misinterpreted or subversive purposes.There is noparody theory of our country, there are some similar technique of artistic creationexamples in classical poetry and article. The modern literature novel has some tracesof parody. Since the New Period, parody alien thought and common role and influenceof the local context of renewed vigor, especially at the turn of the1980s and1990ssocial and cultural transition period is very active. Parody once embodies theaspirations of the the pioneering literature "pure literature", to challenge theideological and literary conventions, rebel attitude.A parody of the1990s literary worldinto a "cluster" development trend, the diverse smells parody "grand scene" to makecompromises and concessions, and when hit in the tide of popular culture, graduallybeing commercial and consumer society cultural incorporation. Parody in differenthistorical periods,showing the different forms of melodies,corresponding to thedifferent cultural ideology.The paper examines the New Period parody phenomenon in literature, linguistics,narratology, cultural studies, a comprehensive study, while paying attention to thetheoretical interpretation and text analysis combined aesthetic criticism, with the valueof examining the same into account, since the new era of literature andthe parody of the cultural phenomenon of the study and evaluation of the overall system. This paperstudies the basic ideas follow from the language level to the text narrative level andthen to the level of cultural analysis system path.In the introduction, firstly, parody concept and related theory a diachronicdescription and analysis. On this basis, the paper defines the essence of parody is astylistic phenomenon, including the order of discourse, text style, writers mainrecipient for its historical and cultural field and many other factors. Secondly, followedby brief explanation from a genetic point of parody evolved in the West and China, thepaper pointed out the inherent characteristics of parody and external manifestations.Finally, make a brief analysis of the research status, pointed out the problems andshortcomings in the study and presented the main ideas and thesis framework.The first chapter discusses the origins and generalization parody since thebeginning of the New Period, the problem is precisely the researchers ignored.Theresearch on the parody phenomenon in recent years is quite plentiful, in the parody ofthe "historical" process, better educated, conceptualization trend, in order to avoid thejudgment of the nature of parody phenomenon, we should from the historical contextto start to discuss the source of the New Period parody phenomenon, and to grasp itsgeneralization historical trajectory in a dynamic process of history. The parody contextof age there are hidden echoes relationship, when the social atmosphere is morerelaxed, more free development of ideology and culture, such as parody, irony,metaphor and other literary expression more development space. The germination andconscious awareness of the irony of the writer, the main play a key role to promote thegeneration and development of parody narrative.Western postmodernism directly orindirectly affect the emergence and development of the parody. A parody of itselfexperienced a general writing and thinking paradigm from Pioneer Literature rhetorictechnology, and in the new century is clearly showing signs of metamorphosis,gradually compromise to popular culture.The second chapter mainly from the point of view of the rhetoric, typed analysisconducted on the the language parody phenomena in the literature since the NewPeriod. The papers draw on Bakhtin classification, combined with the characteristics ofthe language of contemporary Chinese literature parody of the novel form of language parody, language parody broadly classified into three types: a typical discourse onsocial parody, another for a specific person or type, style of discourse drama imitation,the third mixed before two languages parody type language hybridity parody. Paperson the basis of the play imitation language form incorporated into modern to thecontemporary "language concept change" the process and background analysis, inorder to touch the language concepts occurred change, language morphologicalvariation of the process, part of the history of real, explain once as the inherentrelationship between parody and cultural transformation period of the novel dominantdiscourse strategies.The third chapter disscuss the parody from the local language rhetorical level risesto the level of text structure, parody is become the formal features of the text, structureprinciple, and soaked to the novel’s narrative conception narrative context. Generallyspeeking, there are several types of literary and artistic creation, showing the structuralof parody principles: one is the "pre-text type" of parody, another is the parody of sometraditional genres or fixed-writing mode, the last one is a text type of parody point tothe historical, social, cultural beyond language, structure on top of the "super-text".Parody, pastiche, rewrite, copy a form of expression are rewrite forms."Rewrite"reflects the universal human tend to re-create the habit of thinking and practice bydrawing on existing literature, cultural resources, compared to Western rewrite theory,the paper summarizes the parody text stylistic model belongs to the new " TalesRetold" mode, new " Tales Retold" highlights the fact localized parody narrative textcharacteristics and theoretical principles.The fourth chapter concerned about the line of sight extended to the cultural background.Parody is a link to the daily life of a "pontoon" folk ideology and mainstreamideology, it blurs the boundaries, the abolition of the grade is the text of a survivalstrategy is a concentrated expression of the cultural contradictions. Parody popularculture, the relationship is not a simple confrontation or submissive relationship,parody sometimes will cater to the demand of the popular culture, will unconsciouslyrevealing criticism and allegory, parody and popular culture, the relationship isambiguous and polysemy."Red Classics" parody constitute an significant in the trend,in which the novel "Shajiabang" is a classic case concentrated reflection of the problems encountered in the process of adaptation and recycling of the "Red Classics".Parody in popular culture try to find a broad space for development, and showed anotable feature of the image, diversification and entertainment, also shows variousfading signs, faced with the plight of their own development and crisis.The epilogue judge the aesthetic value and practical value of new period parody.Reflection in the present situation and the causes of parody trend，the paper point outthe possibility of parody development path.