Study Of Symphony Orchestra Music Works From Chinese And Foreign Mongolia

The thesis makes study of the five symphonies composed by Mongolian composerYong Rubu and composer B·sharibu from Mongolia. This thesis consists of two parts,a total of eight chapters, The first part mainly studies the Yong Rubu’s works,which is divided into four chapters: Review of the development of Chinese and foreignMongolia Symphony creation，Research works of musical language，Research works oforchestration style, Musical image and Musical thought.The second part studiesthe B·Sharibu’s works, which is divided into four chapters: Research of creativetechniques, The texture feature, Analysis instrument technology, Creativethinking.The first part mainly analyzes the music language features of Yong Rubu’s threeSymphonies "Gobi Camel""Mirage" and "Desolate Temple ", from the formation anddevelopment of the theme, mode and tonality, rhythm and tempo, orchestration, thepolyphonic techniques and other aspects. It mainly focuses on how to apply theelements of folk songs into Symphony creation material, sums up the varioustechniques used by analysis, and reveals the creative style and features. Featuresworks focus on melody and tonality, rhythm and tempo, orchestration techniques,polyphonic techniques in different styles. By studying his artistic style andcreative thinking, the thesis gradually reveals its distinctive personality andprofound thoughts of music, especially for Mongolia traditional music of theexcavation and the works of Musical image creation. His works intends to integratethe European Impressionist music color into the Mongolia symphony, thus forms hisunique artistic style. His works are permeated with a noble spirit of humanism,becoming an important milepost during the development of China Mongolian symphony.Also, this chapter gives a brief overview on the Chinese and foreign MongoliaSymphony development process.The second part studies "wide world" and the "second symphony", which are thetwo distinctive Mongolia’s contemporary style Symphony, composed by Mongoliacomposer B· Sharibu. These works base on Mongolia historical and culturalbackground, using the traditional music as the source material. Adopting the westernmodern technique creation characteristic of Mongolia Symphonic works. This papermainly studies the creation techniques, such as micro polyphony and sound techniques, including the timbre melody, tone block technique means. Research of theorchestration in tone, timbre rhythm, timbre layout opposed, timbre alternatetechniques. As well as melody, harmony in the longitudinal and transverse structure,Analysis of the works imitation and comparison, Tonality conversion and overlay,Linear harmonic structure and multi texture etc. From the depth and the breadthof work point of view, Mongolia’s Symphony creation has advanced technology andprofound theoretical foundation. At the same time, exudes a strong culturalatmosphere, it illustrates the creation level of contemporary symphony in Mongoliahas entered into the international level.