The Aesthetics Research Of Yuan Drama

So far,scholars in the Yuan Drama research has made many important achievements,such as inliteratur,ecollection, collation, bibliography, schools and ideological analysis.At the same time the study breaks the disciplinary boundaries, and has linked to cultural studies. Research about the point of sociology and the sciences of social and human have made great progress. Overall, the research perspective of the literary point of view, the view of literature history and sociology are developing deeply and the results are remarkable. But there are also some problems, such as the convergence of research methods used to explore the art of novel traits, which is from the narrative point of view, to the characters. The beauty of Yuan darma is not reflected.More studyin-depth of the key writers is enough, but study the overall aesthetic features of Yuan drama is still insufficient. Yuan Drama studies have other problems,such as attaching importance to tragedy and ignoring the comedy, attaching importance to narrative and ignoring lyric, attaching importance to create and ignoring communication. In short, the of overall research of Yuan drama aesthetics is lack. Until now, the academic circles have not a aesthetics in the Yuan Dynastywhich seriously restricts the research of Yuan Drama progress in terms of aesthetics.So this paper will study from the weak link of Yuan Drama,the Aesthetics research, careful combing to the aesthetic characteristics of Dram and the Yuan Dynasty, and the combined impact of aesthetic psychological cultural environment and social culture to discuss the reasons for the formation of Yuan drama aesthetic characteristics, in order to solve the problem of insufficient aesthetics research.The thesis consists of four parts:the first chapter the Aesthetics of Yuan Drama will from two angles which are literature and art and the culture to study the aesthetic characteristics of Yuan Drama.Yuan drama is a comprehensive new literary style.It absorbs the lyric art and narrative arttwo art characteristics and embodies the integration of a variety of literary style. In the ways of expression, Yuan drama not only expresses subjective feeling, but also expresses the objective feeling. In the culturalcharacteristics, the difference of the Yuan Drama is that it is a product of refined and popular culture blending. Its birth which is closely linked to the cultural discourse right transferand and social aesthetic culture. It has a primary form of culture industry, which is worthy of note.The second chapter Aesthetic culture of Yuan Drama, discusses aesthetic features of Yuan Drama from the point of view of aesthetic culture. The first section discusses the Yuan drama aesthetic cultural characteristics, such as a fully inclusive and equitable culture casting,huge energy propagation and GF group coverage. The introduction of the theory of modern communication is more helpful to conducive to the relationship between the angle of propagation and the creation, dissemination, acceptance of the three to further explore the reasons for the formation of Yuan drama aesthetic features as openness of literary form, highlighting the relationship between literature works and the social culture. The second section discusses the aesthetic psychology of the Yuan Drama, starting from the three angles, accepting and reconstructing the traditional,the aestheic feeling of Zhong He and strong" Sadness" of the era,all these show the characteristics of Yuan Drama in the aesthetic psychology. Jumping out of a single literary point of view, the paper study from the influence of social culture and social psychology of the Yuan Dynasty of the overall aesthetic culture for more in-depth.The third chapter The aesthetic nature of Yuan Drama respectively from the Dai Yan Ti,Yi Ben Si Zhe, One Singer of Drama, music arrangement and the script features to study the composing factors of Yuan Drama. Dai Yan Ti of Yuan Drama originated from the poetry expression with distinct characteristics of the lyric stage. One Singer of Drama limiting the lyric and narrative from the perspective of knowledge. "Yi Ben Si Zhe, a stable structure, is composed of the main narrative series with the different plate of play, the Dai Yan Ti,Yi Ben Si Zhe, One Singer of Drama interact and mutual restriction,which is the important different characteristic from Yuan Drama between Nanxi drama of the Yuan Dynasty and Ming legend in style. Yuan Drama music has the stability of type. While the Yuan drama script is affected by multiple aesthetic factors, absorbing wide material filled with different kinds of changes. The effective fusion of music and the script.produces many wonderful stories.The fourth chapter The aesthetic nature of Yuan Drama is on the nature of aesthetic quality, from the judge of tragedy and comedy Yuan Drama,.Oriental traditional opera and Western drama in the same time have a huge difference, so the theory of western drama is not fully applicable to the Yuan Drama. When determining the nature of the Yuan Drama, we should pay attention to two characteristics of lyric and narrative with the theme from the script and expression of these two aspects and lyric characteristics of reflection. Association of tragedy andcontradictions, conflicts and other narrative aspect in Yuan Drama is not obvious. It takes the emotion Factor strongly containing "sorrow" as aesthetic object. Strong lyricism is its basic aesthetic features. Such tragedies have sharp and strong subject consciousness. The tragic theme can surmount the life experience of individual life,break through Individual and specific life phenomenon and rise to a certain level of life. While the comedy of Yuan Drama will make the audience feel emotion pursuiting of the "perfect", "pure", "to really", also reflect on their own destiny and life,from the laughter booming vitalityand life perception of the true meaning of. Yuan drama comedy of the kernel is not a simple feeling such as"tease", "irony".In the comedies there have the positive energy which encourage to pursuit and Challenge.This article attempts from The macroscopic angle to the study of Yuan Drama aesthetics, which tries to study with the new method and new perspective. Combing characteristics in all aspects of aesthetic category of Yuan Drama, will take care of the overall situation contemplation of the whole global and the details of key,while paying attention to the relation between the quality of internal mutual influence.The research of Yuan Drmama is in the whole Chinese cultural background, which pays attention to the effect of this factor on the propagation of the yuan dynasty. At the same time,taking the new method to combine theory and historical materials, gets rid of the habit of previous description method and narrative perspective, and tries to make a breakthrough on Yuan drama aesthetics research.First of all, get rid of the previous study in "narrative" heavy influence factor analysis and highlighting the essence of Yuan zaju "opera", explore the Yuan zaju "Lyric" blood, paying more attention to the emphasis of its differences with the other opera types, nuanced by analyzing various angles show the aesthetic characteristics of the Yuan Drama, to show the unique value of Yuan Drama from the angle of social culture and literary inheritance, trying theaesthetic features in a macro perspective to a comprehensiveinterpretation of Yuan Drama.Secondly, get rid of the past way to study famous writers,such as the life and works, ideological content and language characteristics,which use the three segment type elaboration.In the study of Yuan Drama in the past, these two kinds of mode of argument and research were common, the formerare often applying to some certain writer or works, and the latter using for aesthetic studies. This paper pays attention to literature works cited, the historical data and abundant examples of the introduction of the thesis, to enhance the persuasion and achieve better expression, also abandons the study type three segment, to discuss the drama from the use of music, such as pure aesthetic field strcture field structure of the building,the universal and special can be reflected in the papers.Finally, this paper based on the national culture, pay attention to the characteristic of national culture and national culture psychology, to discuss the cultural characteristics of social culturein Yuan Drama and the influence of Yuan Drama from this angle, the aesthetic characteristics and aesthetic connotation in order to break the conclusion of western aesthetics theory about the aesthetic form Yuan Drama.