The Study On Handicraft Of Boshan Glass-art

This paper takes Shandong Boshan glass handicraft as the research object. By field investigation analysis and reference books and documents, the formation of Shandong Boshan glass handicraft skills for motivation, handicraft production tools, equipment, summary of the materials, different skills process and content, art style and features of the study, in the hope that by combing to this kind of traditional folk craftsmanship, analyze, summarize, and to our country traditional craftsmanship in the inheritance and development of the present stage provides some meaningful reference.Through a large number of relevant literatures, confirmed that Boshan area glass handicraft in history there is no accident. Mountainous farmland, rich ore, fuel rich natural environment is a glass production base of objective factors, and mercantile compatibility of Qi culture brings good humanistic environment and long craftsmanship of traditional is its always a kind of processing base gradual transition into the artistic creation base. Boshan glass at the end of the Yuan Dynasty and has a considerable scale, in the Ming Dynasty rely on supplies the palace glass products and developed gradually, the Qing Dynasty reached its peak and through and Beijing Liulichang technical exchanges gradually with the local characteristics of the products. The period of the Republic of Chinaappeared in the daily industrial production of glass. Boshan glass craftsmanship give full play to the characteristics of glass materials, by firing, blowing system, light industry and other thermal processing creation and material cut and polish, round and other cold processing the creation and painting drawing means to create many different forms of glass art treasures. Boshan glass handicraft emphasizes the use or imitation of precious materials for creation, creation of complex process, many steps. In the shape of the device to imitate from jade, ceramic based, in the decorative style emphasizes the rich, full, subtle and restrained, in decorative content mainly with auspicious patterns, classic stories or legends mainly. After the founding of the people’s Republic of China through the Boshan art Liulichang, and other enterprises of production gradually restored to its former prosperity, but with the collapse of the Boshan art Liulichang, the Boshan coloured glaze appeared in many bad phenomena, such as technical update is slow, inheritance faults, aging products, factory structure sub, from personnel of course of study of aging and so on. At the same time for industrial production of traditional handicraft production is stillgradually strengthened.The Boshan coloured glaze originated from "to sample processing production center, equally and therefore subject to lack products aesthetic taste and innovative, which along with the increase of our country industrialization and information society changes, conflicts would be even more prominent. In this paper the craftsmanship of analysis, summed up the Boshan glass craftsmanship in scarcity of raw materials and formulations for the loss, crude tools and equipment, backward, theme conservative and aesthetic limitation, making repeat and single product, broad, heritage and promote blind specific issues such as. Put forward some solutions, such as improved recipes, upgrade the tools and equipment; improve the aesthetic accomplishment, to encourage cross-border cooperation; and to establish brand awareness, emphasizing the layered product; to increase innovation in R & D, multi communication etc. let this "grand light glass color" craftsmanship can inherit, carry forward.