A Research Of Oroqen Aesthetic Culture

Oroqen aesthetic culture comes from ancient Forest Culture,which meaning mainly refers to the cultural phenomenons of aesthetic meanings in Oroqen, covering Oroqen spirit. Its elements involve four levers of natural factors,historical factors,psychological and cultural factors, including geographical environment, ethnic migration,the original religion and ecological civilization. In the era of globalization,Oroqen aesthetic culture occurs changes, because of multicultural blend,the ecological impact of environmental change on Oroqen aesthetic culture,the impact of history spans three times and the six rebirth way on Oroqen aesthetic culture. Oroqen aesthetic concepts have ecological and cultural connotation and original cultural identity,exploring the similarities and differences of aesthetic ideas in Oroqen and other northern ethnic,which can enrich the scope of the study on aesthetics. The painting,music and dance in Oroqen cultural phenomenon attribute to arts,with obvious artistic features. Religion, folklore, literature and craft not only have comprehensive cultural connotations,but also a certain aesthetic significance or aesthetic form whose levels reflect the religious beliefs,customs,national character and aesthetic sense in Oroqen.Oroqen aesthetic culture embodies in religion,including the aesthetic concepts of primitive beliefs of nature worship,totem worship,ancestor worship and so on. It is shown that gods awareness,awareness of the family and aesthetic awareness. The status and functions of the shaman in the national aesthetic culture are discussed,as to the oral and experiences of the last Oroqen Shaman,Guan Kouni. The aesthetic composition and performance of purification and dialogue,ecstasy,dance and imitation and share is highlighted in rituals of inviting God,seance,entertaining God and sending-off God. Aesthetic characteristics in Oroqen cluture throughout daily life and literature. Aesthetical thinking of the contemporary oral tradition is started thinking in the daily life context. The aesthetic performance of Oroqen art and craft exits aesthetic sense of painting,aesthetic delight of song and music,aesthetic orientation and expression of folk art,touching experience of life,emotional show,the thinking of faith. Aesthetic standards of Oroqen folk art exist two dimensions of utilitarian and aesthetic. In a continuation of the aesthetic imagery,the aesthetic subject obtains aesthetic enjoyment in the creative process.Contemporary crisis of aesthetic culture is paid close attention through multi-dimensional interpretation of Oroqen aesthetic culture,Oroqen. Due to the trends of global cultural Westernization,Chinese culture Han Chinese, the change of the way between human dialogues,heritage bodies disappearing,and the drastic changes of human and ecological environment and community types, which result in the fragmentation of Oroqen cultural art. Aesthetic and cultural matters in Oroqen are already somewhat vague,which especially is not conducive to the diverse development of contemporary Chinese aesthetic culture. Finally, Oroqen aesthetic culture is reflected,revealing the function and significance of the heritage and creation in Oroqen aesthetic culture,and the plight of contemporary and future prospects are described in Oroqen aesthetic culture. It’s the aim of Oroqen spiritual dwelling homes that must be found in the Oroqen aesthetic and cultural development.