The Research On "Liushi" In Zhou Dynasty And The Art Form Of Chinese Early Poetry

Research on the three generation of LiYue culture, and early poetry art form, many problems in fact can focus on "Liushi". "Liushi" is a Chinese local important poetic terms, first seen in " Zhou Li", it is a core joint in China early literary form and thought. "Liushi" relates to the three generation poetry, literature, and optimistic outlook, contains three generations of LiYue culture and many other academic information.At present, the study on "Liushi" is not a few, into the research literature, poetry, art and other aspects of the theory. but as far as I see, mostly some papers or monographs special section is less.The art form of early China is based on LiYue, political system and practical foundation style view.This paper, starting from the generalized stylistics, study on the "Liushi" origin, rooted, erivative, propagation and fading, and then explore the early form of art poetry generation problem.The "Liushi" is in the music culture and the art of poetry evolution history of linguistic context, It is concerned the relationship between the "Liushi" and the formation of social system, emphasizing the generative 、dynamic、multilayered of "Liushi" The main contents include the following aspects:Firstly,Analysis of poetry, music, dance form and function. The ancient remony of any kind, are related with some magic, religious or ethical, political ideology, these different ideas, different service categories, dominate the existence and form of ritual music and dance. Liushi is the first integration as poem, provide a comprehensive art form.There are lots of sorcery dance ancestors and worship music practice, can be regarded as the “Liushi” theory of important historical basis and theoretical prototype.Therefore, from the perspective of Liushi, as the music literature and primitive religious worship is closely related to the investigation of ancient poetry and music, and primitive religion ritual related music tradition.Secondly, Chinese early poetry mostly is the direct result of the potical and LiYue system, The generation of Liushi mainly rooted in the three generation of view of literature and art(including literature view, religious view, political view, education view),This paper will combine the early art form of Xia and Shang,and in the three generation of music background of social system, thinking the origin, form, style, communication of the "Liushi".Taishi teached “Liushi” closely related with dynasties officials culture, and directly reflected through the change of Zhou Dynasty.Tthe third chaptercombined with ancient culture on the pre Qin WuGu culture, "hearing political" system, analysize the formation of "Liushi" This culture through the ritual of the repeated the permeability, and passed from generation to generation, and has gradually formed the Chinese nation’s unique cultural psychology and national spirit.Thirdly, Look from the horizontal plane, the existence、nature and inheritance of "Liushi" includes collecting poetry, teaching poetry and other forms. From the view of the historical development of longitudinal, after a long historical stage,the "Liushi" evelopment and evolution coincides with Zhou Dynasty LiYue. Feng、Fu、Bi、Xing、Ya, Song,covers the classification summarized of Wen,Wu, Chen, Kang.In the mature period, the order of the Liushi reflects from simple to complex, from basic to professional music teaching principle.“The Book of Songs”collection represents a ritual songs, as Zhou Dynasty textbook basically and master to teach "Liushi" is similar, therefore in the ancient history of literature under the condition of insufficient, "The Book of Songs" has become the most important literary text break "Liushi" ritual form.The fourth, five chapters will be combined with the "The Book of Songs" in the Western Zhou Dynasty and ChunQiu period of the six poetry collection, nvestigation of the morphology, play educational communications and in every important ritual occasions of performanceFourthly, With the decline of dynasties officials culture, In the ChunQiu when music gradually became an independent artistic style, "Liushi" as a feature of ritual dance also gradually lost, the cult of out of music, and eventually to the “LiuYi". From the perspective of the art form and function of poetry, "Liushi" is mainly the Western Zhou Dynasty era music education concepts, training of the nobles. The project of training. As music literature, “Liushi” spread to play in the different levels of the society, although in the early stages of poetry, music, dance and art as a whole, and not divide, But in the process of ceremony vulgarness through manifold, function of these different types of text has different forms, each has its specific different from other each of the conventional and the dominant way of presentation. "LiuYi" is the HanDynasty Confucian poetics concept, separation of poem, direct service to politics. "Liushi" and "LiuYi" is the existence of two different state, embodies the combination of music poem education to relatively independent of poem poetry transformation. This development process, witness and participated in China’s early poetry art form by a poem to the desires of poem,and the historical evolution and the later Confucianism to cultivate has paved the way for the basis of classical poetics theory.The research on Liushi will contribute to the advancement of reach on evolution of the pre Qin art form, and for the construction of both the modern significance and ethnic characteristics of the China classical aesthetic of literature and art.It has the certain enlightenment significance on the contemporary art form construction.