On The Receipt History Of The Peach Blossom Fan

Since the advent of the peach blossom fan, which has loved by the people. Thisarticle fully strives to analysis and investigates the acceptance of the peach blossomfan on the basis of predecessors’ research before twentieth Century. From the microlevel, which mainly explore the peach blossom fan since the publication, includingpublishers, readers, adapter and audiences etc on the peach blossom fan and itsvarious experiences in different periods, interest, literacy and other comprehensiveform the influence on the peach blossom fan with the situation of the acceptance, andtheir knowledge structure, social status, age change on the impact of the peachblossom fan with the situation of the acceptance. In the macro level, this articlemainly makes every effort to explore the acceptance of the various ways in differenthistorical periods of the peach blossom fan, including the cultural policy in eachperiod, the social ideological trend, the condition of study style such as concrete. Thisarticle fully investigates version of form, stage performances, textual criticism, followthe example of adaptation and all kinds of style of play accept the peach blossom fanand so on, which based on its logic acceptance as the warp and its diachronicacceptance as the weft. This article mainly divided into five chapters as the following:The first chapter comprehensive studies journal edition of the peach blossom fanafter the Qing Dynasty, which divide into the Jie AnTang carving copy, Xiyuancarving copy, ShenShi carving copy，Lan XueTang carving copy and Nuan HongShi carving copy etc. These different types of carved Edition, whose arrangement andformat, headnote and tail, prefaces and postscripts and so on are different, this chapterare classified and analyzed, summary and review these different forms of the peachblossom fan in order to open out these information from all kinds of edition of thepeach blossom fan.The second chapter expound the relationship between the performance andacceptance of the peach blossom fan so as to draw the lineament, which theseaudiences who from the Qing Dynasty to the present accept. Due to the change ofperformance places, the different of audience’s identity, the style of performance andthe effect of acceptance will be different in the Qing dynasty, the modern times andthe contemporary age. This chapter examine the difference of the performance of thepeach blossom fan between the Qing dynasty and nearly, modern people in order togo deep into understand the mentality and aesthetic orientation, which the audienceaccept the peach blossom fan in different historical periods.The third chapter explains the specific circumstances, which these in each periodof scholar after the Qing dynasty, who criticize and study the peach blossom fan.Scholars in the Qing dynasty that are fond of playing on the way of spontaneity andrandomness of criticism, which criticize the main content, the artistic style, and thecreation principle of the peach blossom fan.During the period of the Republic ofChina, the simple criticism look so easy and continues to the Qing dynasty about theacademics of the peach criticize the peach blossom fan, which has the characteristicsof the surface and the dispersion. But the peach blossom fan is criticized at thebeginning of the founding of the People’s Republic, which has made greatachievements, whether in the style of criticism and criticism method, or on the criticalcontent. This chapter delineate the outline of the comment which readers criticize thepeach blossom fan after the Qing dynasty in order to reveal these differences in thedifferent historical period and the different identity readers accept the peach blossomfan. The fourth chapter investigate and review the posterity adaptation of the worksabout the peach blossom fan. The peach blossom fan of the adaptation of the workexisting more than20kinds since the late Qing Dynasty and Republic of China. Thischapter combing the late Qing Dynasty and Republic of China and after the foundingof the PRC of the adaptation of the work about the peach blossom fan, and explorethese adaptation of the works of the unique artistic characteristics, and explain the fullstory and contain the cultural significance about these adaptation of the works inorder to reveal these differences some commonalities about the audiences or readersaccept these adaptation of the works of the peach blossom fan and based on differentbring the difference adapter status.The fifth chapter explains the creation of the various stylistic which accept thepeach blossom fan. It is visible traces both ideological and artistic technique with thepeach blossom fan in literary form, such as drama, fiction, poetry, film and television.This chapter mainly discusses drama, fiction, poetry and film and television to acceptthe situation of the peach blossom fan，and analyzes on the implied meaning about theacceptance of the peach blossom fan.