Color Research On Chinese Landscape Painting In Twentieth Century

Traditional Chinese landscape painting is the most important theoretical guiding ideology about color tianren sheikh referred to in the "six" FuCai "class", as the rise of literati painting, the painting landscape gradually decline. In the 20 th century, with The Times change and the need of social development, the development of Chinese painting from the subject matter and technique breaks through the traditional mode, both in creation and theory research obtained great development.The main content of this study was to comb the aspects of the use of color in Chinese landscape painting in the 20 th century. The 20 th century landscape painting color comb, using the experience and lessons from history in order to find the landscape painting in the art law of development, some propositions for the future development of Chinese landscape painting to provide the evidence of history. New culture movement in the early 20 th century, western painting theory and techniques has made an impact on Chinese traditional landscape painting, in the idea of "lead" in the west embellish, under the influence of the characteristics of the landscape painting to absorb the western painting creation, changed the face of one thousand years, bold innovation, the use of the western concept of color is an important aspect of its innovation. To the middle of the 20 th century, the political need to make a Chinese paintings more close to social life, joint political demand, the creation of landscape painting attach more importance to the sketch, to work in the ordinary life looking for inspiration, color more gorgeous rich. In the late 20 th century to the present, globalization become the era theme, as the thought liberation and development of the economy, also presents the diversification orientation landscape painting creation. In colour respect, the understanding of the colour language more rational, on the one hand, the traditional pen and ink in the context of a new era to rethink, in innovation at the same time, guarantee the essence of Chinese painting the kernel remains unchanged, on the other hand to break through the traditional Chinese painting color static complanation, decorative, enhance the color of the movement and the lyricism, through the role of color, make the painting have visual wallop more, colour more era meaning and the fresh of life, and accord with the aesthetic need of modern people.Main point of this study are: 1, the color view cannot live independence from era background. The use of colors involved in the era of political ideas, artistic values, such as the concept of more superior, understanding of the concept of color a period can’t open out specific era background and the era background of the overall concept of art. 2, the color with changes of The Times development. The culture of China is in the development and progress, constantly enrich the aesthetic concept of Chinese landscape painting, color concept and artistic means, is in constant innovation and development, advancing with The Times. 3, color use should adhere to diversified direction. Historical experience has shown that for non-mainstream genre of works and should be a tolerant attitude, allowed to explore the development of landscape painting from different directions, perhaps these non-mainstream works and ideas have advanced value instead. 4, color ought to play an important role in the development of landscape painting in the future. Color for the return of Chinese landscape painting in the 20 th century, greatly enrich the forms and methods of landscape painting, in the development of landscape painting in the future, research and practice of colour, should also be the future for the development of Chinese landscape painting.