| Modernization court for core value, customarily summarized economic aspect industrialzation and in political aspect democray。But Korea dynasty through feudalism collapsed, afterward japan was colonial dominated korea, so for can’t timely effectively accomplished oneself’ s modernization process. yet after liberation at historical circumstance of turmoil, Korea finished an arduous journey of modernization process hang in the air. so for fulfil economical fly, polity was ralatively democarcy, honored by globaly people at afterward modernization "kill two birds with one arrow" Typical example.In this paper after the "A.19" revolution of the 1960 s,70 s (the so-called "park chung-hee era") for the period, to discuss the "modernization" of the motherland of the mainstream discourse prevalent in South Korea, in the face of increasingly stimulate various social contradictions in the process of modernization, the reality of how a group of poets are taken participate in attitude, and effective in the language of poetry aesthetics.If the poetry as a kind of discourse expresses, the creation of the three poets, it may be said is one of the important art forms in the discourse of modernity. Therefore, in the context of modernization, westernized proved how to got the awakening subjectivity creators and how the creative practice of a process, becomes this article must adhere to the narrative context.To this end, this paper uses post-colonial criticism method, the concrete analysis point of view, on the, Kim Su-yeong, Shin Dong-yeop, Kim Chi-ha’ s three poet’ s perception of national history and people’ s lives. In the poet’s subjective cognition as a starting point, the traditional and modern, poet and people, rule of discourse and discourse of the relationship between as discussed main focus.The language of poetry for the image (image) magic. In order to more thoroughly understand the poet’s creation intention, this thesis also pays attention to the work of symbol and metaphor, metaphor, such as flexible use of the means of expression, and analyses them in the shaping of poetry artistic conception generated by the specific meaning and effect.Due to insufficient ideological and organizational aspects of the revolution of "4.19" became a failed to through citizen revolution, which makes the beginning Kim Su-yeong’s pursuit of "freedom", in the reality met insurmountable obstacles. At that time, the poet will disappointment of the people and the pessimistic and pain brought by the "lost", into cynicism and self to the environment, and demonstrate the unhappy people frustrated. Of tradition and reality, however, after some careful thought, and after a profound self-examination, will self Kim Su-yeong’s tragic consciousness into the inclusive of the philosophy of "love", to get the thought of a painful and sublimation. South Korean society people today are the specific achievements, all can read personal masterpiece "grass". Through this work, completed the personal Kim Su-yeong’s fight against people on the integrated concept of poetry. It is facing the modernization, he continues to change perspective on the position of knowledge home after all, is also in the post-colonial context, the colonization of a new national poet of the important of subject consciousness is high.Shin Dong-yeop will own world view and cosmology summarized as "the original number of the world", "number of the world", " to the world", and based on the extensive knowledge of national history, like to a certain stage will be the past, imagine for idyllic "the original number of the world", and facing reality such as the difference between urban and rural areas, divisions, subaltern marginalized, such as problems, due to the contradiction of "number of the world", and tries to depict "belong to the number of the world" vision, to call for the return of human nature, the arrival of the peace. Shin Dong-yeop view of history is under the influence of eastern learning thought, but his foreign awareness and beyond the conservative closed "chauvinism", but rather on the Angle of view to the third world countries, and empathy. These are the post-colonial discourse to resist invasion of Europe and the United States, protect and carry forward the manifestation of its own national culture, is also to occupy the dominant position in the south Korean ruling discourse Shin Dong-yeop’s theory of the cold war mentality and economic priority of tactful criticism and poetic challenge.About Kim chi-ha and its works, first of all to its repeated throughout the lyrics such as "fire", "hungry", "crazy", such as image, are analyzed in the poetry language. Poet in the arduous struggle and park chung-hee authoritarian rule, always in a position of the isolated, the resulting unease and indignation, and heroism, passionate, through repeated images in those poems, reflect incisively and vividly. Later, Kim chi-ha through criticism and inheritance of Kim Su-yeong’s poetics, effectively overcome the gap with the spirit of the people, and pioneered the modern poetry and traditional performance art, book-seller combination "tan verse" the form of poetry. Through the "five thief ", "dung sea tan poems, such as the poet in the colonization of human rights, democracy, economic soft rib of authoritarian regimes, such as the relentless exposed and criticized. That is the poet "activism" Kim chi-ha, in park chung-hee regime increasingly exposed its irreconcilable contradictions, standing on the position of the people’s struggle of poetry, is also in order to overcome the colonizing the modernization of many disadvantages, a poet of post-colonial discourse sobering. Altogether, Kim Su-yeong, Shin Dong-yeop, Kim Chi-ha, three poets, at 1960 ·70 decade prior for economic modernization became national control language authority, for the sake of fulfil "4.19 revolution" hang in the air at polity, culture、law etc domain complete meaning of modernization, share combined destiny with nation "multitude, be in characteristic progress itself at poetry resistance. May be can say, this three poets at history of korean modern literature create and develope postcolonialism resistance poetry either "three set vehicle" or "three swordsman"... |
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