Ceremony Art In The Culture Change

The interdisciplinary nature of ceremony art makes the study present the obvious integration trend. Previous research has focused on research of ethnography, artistic class and interaction of ceremony and art. Exploring the ceremony art in cultural transition, paying attention to the dynamic development of ceremony art research is the basic content and the method of this paper.Ceremony art is not static, which has been interacting with social situation, along with the social change and evolution; connotation and denotation is beyond the scope of the original, being the present state of constantly being constructed. Function of ritual art performance is not only demonstrated in the sacred rituals of festival, also in the national consciousness, ethnic relations, the great tension of economic force, etc.The main research object of this article is the cultural change in the Lisu Arbor day’s arts. Lisu migration made the ethnic go through different cultural contact and regional differences. Environmental adaptation, the demand of cultural integration presents the process from variation, solidification to revariation.As the main field in Tengchong region, taking Lushui area for example, the longitudinal and transverse of Arbor day’s art is discussed, building up network of research.From longitudinal historical research, respectively with oral narrative literature as the research object, the paper traces the origin of Arbor day and further explores the cultural change process to deduce the evolution of environmental factors, external factors and internal motivation, breaking through the previous limitations of this study. Starting from the horizontal comparison research, finding out the similarities and differences between the evolution of the holiday properties under different context,recognizing the tendency of ritual art in the change of festival features.Researching the ceremony art can’t be out of the social context of Lisu, whose development is influenced by geographical environment history. In addition to the comparative study of different regions, this paper also further surveyed several characteristic villages in the same region, clarified the function change of different characters and interactions, and made "native" and "derivative" judgment of ritual art and presented a dynamic development process of it on the analysis of the symbolization of the "rhythm" of Lisu ethnic.