Study On The House-Fu Before Qing Dynasty

As house is an important subject of Fu creation, the house-Fu has a large scale in the history of Chinese ancient literature, showing the unique ideological content and literary value. The research object of this paper is the house-Fu before Qing Dynasty.Private and public house-Fu which are collected and collated before Qing Dynasty would be the basis of the paper. A combined method consisting of literary analysis and cultural interpretation, theory analysis and text reading, the macro research and micro analysis is used to discuss the development, ideological contents and artistic characteristics, meaning while to investigate the influence produced by ancient Chinese politics, philosophy ideas, art and other thoughts and to explore the national characteristics and psychological characteristics.The total paper is divided into three sections, ten chapters.Part I, Pandect of House-Fu before Qing Dynasty, consists of three chapters and presents a macro study of the paper. Chapter one, the growing of house-Fu before Qing Dynasty, retells the creation development and causes of Chinese ancient house-Fu, which will get the foundation from some records and description about house in the pre-Qing literature, the rise of private Fu in Wei Jin period, all kinds of house-Fu prosperous After Tang dynasty, etc. Chapter two, the relationship between the ideology and culture about House-Fu before Qing Dynasty, explores the influence on House-Fu creation which made by the aesthetic appeals of the ancient Chinese literati, the ancient Chinese ideas about feng-shui and the etiquette system. I provide some discussion about the house name meaning, environment selection and house ritual to explain the effect. Chapter three is about the creation motivation and the artistic features in the house-Fu’s expression of the noble aspiration. I analyze its creation motive, the flexible way of writing, and the quiet, gentle, pure fiction art in the situation of the tranquility and solemn state of mind.Part II, the Private House-Fu, consists of four chapters. Private house-Fu can mostly reveal the writers’thoughts and personalities, along with the distinct characteristics of the Times. This part presents the effect which put on the House-Fu creation by the ancient Chinese society, ideology and culture and the literati mentality,etc. Both the various ideological and cultural connotation and the artistic characteristics about House-Fu are discussed on the ground of development about the formation of Private House-Fu from Han, Wei and Tang Dynasties to Song and Yuan, Ming Dynasties.Chapter one, the Han and Tang Dynasties private house-Fu, analyses the self awakening and individuality about the writers. I focus on the feelings of admiration of the Han Dynasty private Fu, the consciousness of life and the landscape feeling of Wei Jin Dynasties private house-Fu and the high spirited style and practical thoughts of Tang Dynasty private house-Fu.Chapter two, Song Dynasty private house-Fu, Contacting the change in the society, politics and culture, analyzes beauty of intrinsic deep, the writer unique elegance and sad feelings about private house-Fu. The Neo Confucianism in the Southern Song Dynasty was used to analyze the private house-Fu’s taste and beauty, the change in writing style, and the characteristics of Jin Dynasty private house-Fu.Chapter three, the Yuan Dynasty private house-Fu, analyzes reclusive thought, and explore the types of hermit sentiments from the macro level. A case of typical writers was used to research the blend of gardening and integration in Yelu Zhu’s private house-Fu, the flexible outlook on life in Dai Biao-Yuan’s private house-Fu, and Taoist implication inYuan-Jue’s private house-Fu. From literary perspective, explore the stylistic features of private house-Fu in Yuan Dynasty.Chapter four, private house-Fu in the Ming Dynasty, investigates the theme of filial piety, flexible selection of official or withdraw from society and live in solitude, study highbrow and worldly aesthetic tendency, and strong color of rationalism.Part III, the study of the public house-Fu, consists of three chapters.Chapter one, school-Fu, discuss their forms and the social reasons. As concrete works for example, on the basis of Confucian feelings in school-Fu, I argue the features and formation reasons of the official-Fu, discuss the relationship between college-Fu and the rise of Song Ming Neo Confucianism, as well as the academy-Fu’s thick plot for Zhu Xi and the maintenance for the traditional Confucianism.Chapter two, the opening house-Fu, explores the ideological contents into four types which are special trip for a shrine, tasting celebrities, philosophically pondering of history and edge analysis according to architectural form of house and the emotion category of writers. The relationship between the ancient Chinese literati life and the creation of the opening house-Fu was discussed, as well as the creation mode.Chapter three, the court, religion, etiquette house-Fu, in the case of specific works, summarizes its main characteristics.In conclusion, house is the concentration of the history of family and country, as well as a kind of special cultural landscape. House-Fu is a vivid expression of literati mentality and social history, presenting a strong emotional color, distinct characteristics of the Times and profound cultural implication. The development of house-Fu is closely related to the ancient Chinese building, and the author’s life experience, ancient Chinese politics, religious thoughts, aesthetic and social ideological trend is more closely linked. The paper explains the text of house-Fu in details, explores the type of pro-Qing house-Fu deeply, discusses their types, development tendency, ideological and cultural connotation and forming reasons, and analyzes all kinds of historic and artistic features about the house-Fu.