The Musical Psychology View Of Chopin The Second Piano Sonata

This thesis takes Chopin the second piano sonata, Op.35for example, combining the "anticipation " theory of musical aesthetics、 principle of Gestalt psychology and Cognitive psychology for analysis. The core of this thesis begins with the discussion the creative characteristic、the composer’s thinking and the expressive techniques of this piece, explore the inner logic and the composer’s conclusive intention in the creative lay. Then, base on Chopin’s creative purpose, through the discussion of the design space of the musical elements and the different kinds of performance skills, explain the guiding function from the piano performance that may influence the audiences’ability of perception、insight discernment、comprehension and music reception. Meanwhile, this part also expound the integration of performing the whole work, discuss the psychological states and adjustment before stage and on the stage. At last, talk about the diversified mental activities of the audiences and their corresponding patterns of manifestation, analyze the mental set of the audiences which could probably be, explain the progress stages of the aesthetic consciousness and different kinds structures of the aesthetic cognizance would generate different aesthetic feeling and aesthetic consciousness while listening the same pieceThe thesis centres consistently on the interaction of creative characteristic、performing design and receptive aesthetics experience, show the mental content and the psychological movement of each part, expose the development of musical content and emotion significance of this piece.