Experiments Of "New Painting"

This dissertation try to sort out and explain the creative practice of the Chinese contemporary "New Painting" more comprehensively from the angle of the language boundary experimenting through systematized clues. Many of the current problems of the angle and scope of the interpretation of New Painting, and its biased theoretical construction are the reasons of this writing. Generally speaking, because of the research problems of present New Painting such as the emphasis of the sociology referential non-language point of view and the needs of more comprehensive interpretation, etc, when present New Painting’s experiments has given the scene in full swing experimenting the language boundary, we needs a corrective constructing investigation of New Painting focusing on the language border experimental system in-depth and more comprehensively, which is this dissertation’s main cofflgjtf:is, according largely to the language boundary referential clues of the New Painting’s image rhetoric, the invasion of the words into New Painting, the action turn of New Painting and it’s morphological media, this dissertation investigates the language boundaries experiments of systematized clues. New Painting’s rhetoric or writing experimented by all kinds of image syntax or image oriented grammar, art history image quoted grammar; New Painting’s "writing" expression of painted words’invasion into painting by means of experiments between image and words, of words’general presented form in painting, graphic "artist’s book", the "materialized" words, and the transparency of words’expression, which being out of the boundary of image; New Painting’s action language of it’s emphasis on process, on-site meaning and cooperation, which being out of the boundary of painting with images and words; New Painting’s self-description of it’s morphological media existence by the means of painting in the world of photography images, painting sculptures and installations, painting translated by digital media-based new media art, which being out of the boundary of painting itself, etc. To combing and interpreting present New Painting’s systematized pan-extension experiments carried out along with abovementioned language boundary referential clues gives the overall landscape of it’s language border experiments site, namely to synthetically presents it’s experiments’landscape site with unusually opened and mixed borders based mainly on it’s own rhetoric and language significance, a present experimental form of the uncertainty of New Painting, this dissertation try to provide a basis for the interpretation and judgment, meaning and value construction of present Chinese contemporary New Painting.