| In the 1950 s,the developed capitalist countries entered the post-modern society that is a consumer society. Artistic creation process which is full of spiritual in the past began to become rigid production. Culture industry made use of the power of technical means to copy the essence of art as far as possible. The artistic creation has been factory and technologize gradually, and been customized, copy, batch production, which has caused a large number of visual image influx the people’s daily consumption behavior. The pursuit of pleasure brought by the visual consumption become people’s basic needs. Art production concept and the intervention of powerful technology had a profound influence on China’s television documentary. The influence mainly has two aspects: First of all, the television documentary has a new form. Secondly, people has a new television documentary film viewing experience. The traditional media of the television documentary deliberately made "feeling govevnment wonders," "Novelty topics", "Virtual Restore" to meet the appeal of "recreational consumption" and " the game psychology ",which has added "wonders" "brilliance" for the TV documentary. In this paper, the TV documentary "spectacle" of such a media spectacle phenomenon as the research object, mainly studies the documentary wonders of manufacture and communication strategy, trying to explore the TV documentary wonders how is manufacturing, means of communication and glue the audience attention, and on the basis of objective facts for side more reading and thinking, try to provide a new perspective for the culture of media spectacle research under the consumption culture.The introduction part of this thesis mainly briefed the historical background and current situation of research, clarified the article idea, theoretical framework, and writing purpose of this thesis. |
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