The Study Of Image Of Buddhist Story In Kizil Grotto Content Abstract

Stories of Buddhism is not one of the three great Buddhist stories,but also is the main theme of the ancient Qiuci Buddhism art.Because the stories of Buddhism and Buddhist thought translation,relevance of artistic style and cultural communication,complexity of theme preferences and localization,kizil caves as the largest grottoes,preserving many images of buddhist story theme.At present,a lot of works concerning the theme of the Buddha grottoes with individual representatives of Kizil Grottoes in Buddhist images for clues to explain the ancient construction in Qiuci grottoes and Buddhist thoughts.But the discussion is superficial "western style"fresco character system in its connotation,analysis of Kizil grotto art origins,and too much emphasis on the influence of Buddhist art of gandhara.The above two points are ignoring the subjectivity of local culture,and the subjective factors of the ancient Qiuci art style eclectic in India.In this paper,the India on-the-spot investigation data as the foundation,related to Gandhara published literature as template,carding and systematic comparison.From the macro framework of Buddhism art theme,combination sequence logic,and two aspects of characters,explain plot the evolution of micro evolut And as the main line,to re-examine the effects of internal and outer edge of Kizil Grottoes Buddha art,such as the concept of drawing effect on the Buddha image sequence,dextrorotation Kezier from Gandhara art to the depth of the south central India Buddha figure three pose other breadth of influence,and the Persian civilization art identity in Kizil Grottoes in art.Put forward new ideas and opinions.Specific in the three links in the article writing:ion,origin of Buddhism art characters in Kizil apotheosized shapeThe first part is based on carding.The first is to recount the Kizil Buddha theme.In recent years,the research results of the Buddha image but are scattered,although appear repeatedly,in total,the theme image name and description of a cave,which caused confusion and each one sticks to his argument,statistical errors.In this paper,the above problems were the alignment and photo,the variety of Kizil Grottoes Buddhism themeThe first chapter and the second chapter is the review and summary of the development of Buddhism in the Kizil,no repaat here.The third chapter:the analysis of status of the Buddha story image in kizil.Due to the numerous stories of Buddhism,this chapter is divided into five phases of iconography analysis according to the theme of Sakyamuni characteristics and life experience.Each section has the initial summary and summary description of this stage of Sakyamuni Buddha image.Then in the "statistical table on the theme" by combing 84 Buddha images in Kizil Grottoes theme name and story content,cave number,source text.This chapter from the theme of statistical supplement to early 22 Kizil Buddha,mainly from the subject omission,plot resolution,image identification in three aspects,and explain the addition of story sources,which lays the foundation for later analysis,to explore the theme.The fourth chapter:classification of the image of the Kizil Buddhist story.The application of the relevant methods of archaeology,style of study,the main statistical classification of Buddhist stories in biography of the story and karma statement,subject matter and cave,content and composition,the central pillar and square cave.so as to create a method of the type of Kizil Grottoes as the framework,significance and role analysis of the Buddhist story of the image,and according to the statistical results of the chamber theme such as Nirvana dextral central pillar cave after making an objective analysis.The fifth chapter:Based on the particularity of the Buddhist story image as the research purpose,namely "the character set of fairy building "is different from the west of India,Qiuci Gandhara area and east area of Dunhuang.Using the methods of iconography in this paper,from the early Buddhist art symbol symbol,Dharmakaya belief several aspects in the Buddha statues and wonders of the stupa worship,Put forward the body belief is the premise of Kizil Buddha characters difference image source of ideas and aesthetics.The sixth chapter:using principles of Arts history,the iconography and related research methods.The sixth chapter conducts the research on the artistic style of Buddhist art heritage images,covering two external factors the Buddha image formation,namely Gandhara in India,Buddhist art and Buddhist culture because of the local belief.The form,composition and characters of dynamic details of two external factors from the Buddhist art,with the copy and reference for transmitting the image of Kizil Grottoes Buddha,but the figure stylized Buddha heritage but also reflects the local innovation consciousness.The internal factors,from a sociological perspective on the Kezier Buddha in the plot of imperial ideology.These three aspects of research,from different perspectives and understanding the Gandhara Buddhist art of India,between the rheological relations,look forward to new insights.