The Study Of Chinese Experience And Heroic Form In The Perspective Of Chinese And Western Aesthetics

Since the new century,with the rise of the great powers and the revival of the national subject consciousness,from the Chinese experience or local practice to start the construction of the Chinese discourse seems to have reached a consensus among the multidisciplinary scholars,literature and aesthetics,this is also a worth Deepen path of careful consideration.Aesthetic experience,experience and how to link Chinese experience? As a paradigm shift in the development of Western aesthetic experience has been a symptom.The artistic experience of the Western Renaissance began to be metaphysical and ascended until it was incorporated into the philosophical system,and the aesthetic and the reality were gradually separated.The modern Marxist aesthetics,the aesthetic theory of daily life,and the mythology and religious aesthetics Multiple critique of experience.And the Chinese aesthetics from the beginning of Wang Guowei,under the premise of the Western a priori moral law will make it can not agree,Zong Baihua on the traditional aesthetic experience and the emphasis on the heterogeneity of the West,Zhu Guangqian on the aesthetic experience of isolation and continuous repair and learning I and the reality of the diaphragm are impressive.Li Zehou to the accumulation of the category of Kant's prior experience,during which both Marx practice,but also the practice of traditional ideas,and to combine Dewey's "experience" to establish the "emotional ontology" theory,but also highlights the rich national characteristics of the aesthetic experience The Since the 90 s of last century,aesthetic awareness and witch aesthetics,political aesthetics and the rise of life aesthetics,for our aesthetic experience is to expand the idea,but there is still a sense of reality with the diaphragm.In ancient Greece,the original meaning of "experience" refers to a "try to act" and is rich in "adventure" means.It is also the definition of "experience" in the adventure,try the sense of behavior,and "beauty" can refer to all "pleasant people,attractive and admirable things" and "used to speak,behavior and life include Positive meaning of the evaluation ",where the beauty and good can be mutually common.So beauty and experience together,it refers to the kind of adventurous,tentative and affirmative behavior.Thus practice and experience are basically the same in this sense.Along with this definition,we will find that China's experience in modern China is actually an adventure,try to act,that is,a kind of entrepreneurial heroic behavior.Thus the beginning of the century Liang Qichao's transitional theory is worth thinking about.In Liang Qichao's view,the transitional period is due to its transitional nature.This mixed reality needs or desires the hero to appear,with its courage and wisdom,out of this transitional era,and choose the "best and the best place" for the country.In view of the development of China's transitional era in modern times,this transitional period has not yet been completed by politics,economy and culture.In this process,the heroic experience is the embodiment of the experience of the transitional era of China,so the reconstruction of the Chinese aesthetic experience dimension,from the theoretical reconstruction and case to start two aspects.First of all,in terms of theoretical reconstruction,the study of Chinese aesthetics can start from the thinking of experience,that is,from the experience of adventure,try to conduct,and then examine its affirmative evaluation,in beauty and good two dimensions,How to experience the aesthetic development and the positive value of the ultimate point to the two dimensions of the study,so that the reconstruction of aesthetic experience includes three questions: the definition of experience,start and point.In the case of redefining experience,aesthetic experience is a kind of affirmative evaluation,the reality of China's transitional era and the practice of heroism,and provides the prerequisite for the reconstruction of experience dimension in Chinese aesthetic construction.In view of the aesthetic development of experience,we can see that the concept of heroism in China has inherited three types of Chinese and Western plasticity in modern times: divine heroes,talented heroes and mortal heroes.There is a diachronic change that means that space is also coexisting with each other.Divine heroes in the revolutionary era of "human deification" as the core concept of the revolutionary propaganda power,it should be said that the revolution of the people to stimulate the atmosphere to create a great role,but after the founding of the Great Leap Forward,especially during the Cultural Revolution Leaders worship,but to the extreme,to the community to bring great confusion,causing great harm to the people.Where the hero is reflected in the human nature,the ordinary people's emotional dependence on the survival of the traditional human relations in the daily life of the people still play a great role.Only the heroes of the intellectuals and cultural thinkers are reflected in the obvious,how based on practical experience,through practice and freedom of the territory,worthy of reflection.In terms of value,the spirits and religious feelings of emotion and imagination sustenance,human relations nestled in the nest,the practice of gradually free,but now the survival of the three values point,and the potential of mutual penetration.Second,in terms of the case,the new door god painting in the concept of human deification and modern Western realistic painting techniques and other factors,the emergence of the image of workers,peasants and soldiers as the protagonist of the new door god painting,during which Shinto teach and its emotions The aesthetic factors of the birth of the faith,the promotion of the victory of the revolution,after the founding of the country to reach the extreme irrational,the country,the community caused great disaster;since the new era of businessmen and King Kong as the protagonist of the door painting,it reflects the new art of fetishism State,showing the desire to teach religious freedom from the time of Shintoism,commodity fetishism to fictional image.Where the heroes in Jia Zhangke film performance: the initial reform of the material shortage but adhere to the moral of the bottom of the public,the reform in depth to face the emergence of institutional response to the traditional emotional and material interests of the effective combination of the times,and then to face in recent years Social injustice and other traditional chivalry tradition and home ethics concept of the characters,showing that the hero of the multi-faceted."Thousands of heroes" Su Dongpo incident from the turn of the century France "Le Monde" selection,based on different positions,"Le Monde" literati hero,Lin Yutang "Su Dongpo Biography" happy genius and our talent heroes of different positioning,In the context of globalization,the different understandings of the heroes of Su Shi,but perhaps the interpretation of the heroes,is based on modern heroic reality and traditional interaction between the appropriate analysis.In short,the paper examines the heroic experience and its aesthetic interpretation in modern times,the emphasis on the experience of adventure,the attempt to act,and the multi-view of aesthetic development and value orientation in the meantime,which is intended to provide reference for the reconstruction of Chinese aesthetic experience dimension.