Practice And Research On Singing Diversity Of Chinese National Vocal Music

This article takes Sing Diversity of Chinese national vocal music as the research object and carries out systematic analysis and research on the three stages of historical evolution,background,content and concrete embodiment in the singing practice of the Chinese national vocal music.Combining with the training principles of vocal music talents as well as training content related to ontology content,this article focuses on sound,breathing,resonance,pronunciation,including style type,thought,emotion and other related vocal music content to discuss Sing Diversity in national vocal music.This paper tries to explore how Sing Diversity plays a role in promoting the development of Chinese national vocal music from the case study and actual singing practice of vocal music works.The first part is to summarize and analyze the evolution of Chinese national vocal music and at the same time to find out the concept of Sing Diversity from the embryonic form to its following changes,developments and its final formulation.This chapter divides the history of Chinese national vocal music into ancient,modern and contemporary periods.The second part is to explore the background and study its content.The Sing Diversity is put forward based on six objective conditions as diverse geographical environment,various production and life style,multiple ethnic composition,various languages,diverse social customs and aesthetic pursuit.It conducts detailed analysis and exposition on how Sing Diversity is applied to the four principles of vocal music talent training as scientific,national,cultural and fashionable and the four aspects of training,namely,various singing positioning,singing ways,multi-ethnic singing style,emotional expression of multi-cultural connotation.The third part is the study of singing technique ontology of Sing Diversity,a detailed exposition through four aspects of sound,breathing,resonance and pronunciation.The fourth part is to make singing practice research on Sing Diversity based on the second chapter of the study.Based on the Singing Diversity research by the author,this chapter takes folk songs collected from Yunnan,Guizhou,Ziyang and fujian and two drama songs as examples which concept are reflected in the upcoming "Collecting Sound for the View of the Music·Graduation Solo Concert by Dr.Huangqian" to carry out detailed analysis and research on the three parts of collection process,music background and music form analysis as well as singing techniqueanalysis.The fifth part is to make a comprehensive summary of Sing Diversity of national vocal music to analyze and expound on its practical significance and value function in the development of national vocal music from training principles,training aspects and the fourth part research.