A Study On The Culture Of Nuo In Guizhou (1368—1949)

The nuo culture is a folk cultural treasure that has spread in Guizhou since the Ming and Qing Dynasties.For a long time,Guizhou's obstructed traffic conditions,backward science and culture,and productivity have created a unique closed natural social environment in Guizhou.Such an environment is closely wrapped like a natural ice block.With the cultivating of its culture,it has always kept stubbornly its inner essence while it is constantly being attacked by external cultures.It has been passed down to the original form of "living fossils".The Guizhou Nuo Opera,an important part of the Yi culture,is made up of Duanxi Opera from Sichuan,Nuo Opera of Jiangsu and Anhui,and the old repertoire of local ethnic groups.The form is rich and simple,with important folk and artistic values.Widely popular in the area.The study of Guizhou Nuo Opera and Puyi during the Ming and Qing Dynasties and the Republic of China aimed at exploring the religious beliefs,lifestyles,customs,and cultural connotations of the local people in the religious area of Guizhou,so as to help us understand and understand Guizhou in a more comprehensive and profound way.The value of culture itself and its positive effects and significance to the society at that time and even nowadays.The innovation of this paper is that currently the academic community has fragmented the study of the culture of Fujian in the history of Guizhou and reorganized these research results so that the readers can systematically reflect the existence and status of the culture of Shu during the period of the Ming and Qing dynasties and the Republic of China.There is a clear understanding of the impact of the development of folk customs in Guizhou.At the same time,this article first discusses the important role chickens play in the culture of Fujian and the reasons why they become the main props in Guizhou folk customs.In addition,the study of the customary activities conducted by Duan Gong is not based on the artistic value of other scholars' attention,but begins with the "damage" of Duan Gong from the Ming and Qing dynasty Guizhou local records,and explores from the side the activities of lofty customs.The active role of social development and historical progress has enabled readers to have a relatively complete understanding and understanding of Guizhou Duangong during the Ming and Qing Dynasties.In terms of research on the masks preserved in history,it breaks the traditional research on its external surface shape and texture,but starts with the interactive relationship between the producer's cultural psychology and the natural environment,and explores the external aspects of the mask.The underlying causes of form containment,which are not involved in previous related research or have been covered,have not been discussed in detail.The cultural heritage of Guizhou is a complex system.From ancient times to the present,it encompasses different regional cultures.It is a complex of multiple cultures.This determines that we must adopt multidisciplinary research methods in order to understand the Guizhou Shu culture in a relatively comprehensive way.The ultimate purpose of the interpretation is to serve the actual application.Therefore,it focuses on the latest requirements put forward by the development of the time to the protection and transmission of the intangible cultural heritage such as the Shu culture,and reinterprets the constituent elements of the traditional Guizhou culture in an entirely new perspective.Its cultural heritage can better serve the reality and satisfy people's increasing demand for cultural and recreational life in the new era.This is an important point of this article.Guizhou's rich and colorful culture of embarrassment is fundamentally inseparable from Guizhou's unique natural environment.Guizhou's natural resources not only provide the necessary conditions for embarrassing activities,but also affect people's psychology at a deep level.The combination of the natural environment and human psychology has shaped the overall appearance of the Guizhou Nuo culture.Until today,it is still adapting to the development requirements of the new era with tenacious vitality.With the acceleration of the process of industrialization and urbanization,the changes of the natural environment,the increasing globalization of the economy and the standardization of culture,and the rise of the tourism industry,the traditional folk culture of many categories is accelerating toward extinction.Guizhou's Yi culture is no exception.The related long-standing unique skills also face the risk of losing their lives.Under the current new situation,Guizhou's cultural heritage is facing an unprecedented challenge,which is mainly reflected in the fact that under the tide of commodity economy,the rural population has been working in large numbers.The Guizhou Sui culture is no longer a successor;with the development of society and the increasing number of cultural and recreational activities,the number of audiences of the Nian Opera is decreasing,and young people who are willing to learn the performance of the Nian Opera are even rarer and younger.The mass base has gradually weakened.Therefore,under the powerful impact of modern civilization and Guizhou's ambiguous culture,it is only possible to establish an interactive mechanism led by the local governments at all levels to fully mobilize the enthusiasm of the people and take the road of scientific industrial development.Guizhou's cultural heritage has been better inherited and protected.