Research On The Evolution Of Contemporary Shaanxi Literary Realism

The contemporary Shaanxi literature,mainly in the context of "contemporary",on the one hand,to explore the rheology of realism itself,on the other hand,Shaanxi literary creation province as an important carrier of realism rheological,study the development of the specific context,and how Liu Ching take the realistic requirements—"popularity" and "authenticity"—internalizes for own the creation of the"typifocation".And take Liu Ching's realism theory and creative practice for reference of Shaanxi literature,to explore Lu Yao?Jia Pingwa and Chen Zhongshi' differentiation situation,study the inner mechanism of its differentiation at the same time.On the basis of this,the paper outlines the general trend of Shaanxi realism literature.There are three parts in this paper:introduction,five chapters of the body and the conclusion.The introduction,first of all,define the object of this study,namely the Shaanxi realism literature since 1942,from the realistic and general development of Chinese contemporary literature context.Liu Ching,Lu Yao,Jia Pingwa and Chen Zhongshi realism creation formed the mainstream of Shaanxi literature on the one hand,on the other hand,rheological within its literariness make changes in Shaanxi realism also affected the course of the Chinese contemporary literature.This paper determine the meaning of the research,and makes a study of the relevant academic achievements.Second,marxism,Benjamin,psychoanalysis,feminism and other interdisciplinary theory is introduced into the analysis of the operation mechanism of realism,put forward the research ideas,research contents and research methods,etc.Two towards western literary theory in the 20th century,"realism" is inevitably impact,its rheological process of sinicization of nature will also has the influence of linguistics and irrational,with the help of these theoretical resources to verify this paper expounds the basic content and meaning.The first chapter is about the origin and goal of contemporary Shaanxi realism literature,which lies in the tradition of "popularity" laid by the "Speech at the Forum of Art and Literature in Yan'an",and its theoretical origin can be traced back to Engels'view of realism.Liu Ching directly extracted the problem of combination of "the reality of life"(the reality of details)and "the reality of art"(typical environment in the typical character)from Engels's realist point of view,and dissolved it into the "popularity".The inheritance of Lu Yao and Jia Pingwa and Chen Zhongshi for the Liu Ching realism was embodied that they combine the life base of the writer with the individuality experience,including treating politics as part of life,and cast together the realistic details of life and grand epic structure and blend the literary technology and emotion of "objectification"into one.The second part is that the evolution of realism in contemporary Shaanxi literature,which is first reflected in the "integrity" differentiation.This "integrity" is not only the formation of "popularity" and "authenticity",but also the two as a whole.Specific performance of evolution in:there are differences about the realistic views among the Shaanxi writers of Liu Ching's generation;the differentiation of social reality and imagination;the change of the writer's view of time and space,and the tendency of individual writing of writers.The second is the style evolution of realism.Lu Yao and Jia Pingwa indicated the local novels of Shaanxi literature and expanded the writing paradigm of "Great Prose".Liu Ching's exploration of "classical vivid way" had experienced tortuous changes in Lu Yao,Chen Zhongshi and Jia Pingwa's writing.And the writer's language and its writing language had also changed.The third chapter is about the realistic creation practice of Shaanxi literature.The art of realism literature is mainly to shape the typical characters,including the accurate depiction of the characters' psychology.The first is in the portrait of "socialist new personality",Liu Ching proposed to "write the character's feelings",Lu Yao and Jia Pingwa "summoned" a new image of "socialist new personality" as an intellectual and then there was problem of the aging of "socialist new personality".Then,it is the problem of "middle character".Along with the image changes of "the junkman",Liu Ching created people's portraits of "middle character" experiencing a "turn heart"practice.After Lu Yao,to Jia Pingwa's writing,it has become a social "bottom" with a clear intellectual face and small figures in the society.The fourth chapter is about that female images in the realism rheological model.Mainly the nonheroes and villains.Liu Ching trying to create a female hero Liu Shuliang,and mostly ended in failure.Female images appear polarization tendencies in shaanxi realism literature,whether it is Liu Ching for hidden writer,or later,the author is eager to show individual emotional,the body of the female image have become their mediation of depression and "empathy",and become the characterization of the female "to be" insane image.The atypical females' appearance,marked the thoroughly differentiation in shaanxi contemporary realism literature.The fifth chapter—Either the "typification" creation of Shaanxi realism literature,which is represented by male image,or the fault characterization of Shaanxi literature in female narrative,can the origin of contemporary Shaanxi literature show the"rationality" differentiation of modernity,that is,on the one hand it is difficult to sustain in the traditional literature classic road,manifested in Jia Pingwa and Chen Zhongshi introduced the narrative perspective of(male)"Insane" characters,the writer's education and exemplary role is micro.On the other hand,the writer also has obvious changes in the "modern consciousness" of realism.The contemporary Shaanxi realism literature has a direct and indirect relationship with "bottom literature" and science fiction literature after "modern transformation".The most inner relationship is their common integrity for the quality of realism.Conclusion-The integrity and unity of contemporary Shaanxi literature had implied the crisis of differentiation.At the same time,Liu Ching did the modern transformation and exploration of literature and technology.Technical rationality not only digested the epic holistic halo,but also gradually penetrated into the daily life.It had "become the shackles of the liberation,had become an instrumentalization of the people" while strengthening the individual's consciousness.In terms of the "foreground"of realism,Chinese contemporary literature still needs realistic literature.Shaanxi realistic literature needs to reexamine its own realistic tradition and establish a "mature modern consciousness",only doing this can it bridge the "fault" of realistic literature while perfecting itself.