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Research On China's Online Art Criticism Field Based On Bourdieu's "Field Theory"

Posted on:2019-07-09Degree:DoctorType:Dissertation
Country:ChinaCandidate:C L TianFull Text:PDF
GTID:1365330548985755Subject:Art
Abstract/Summary:PDF Full Text Request
The network,which is considered by some of the more extreme scholars to be the second-biggest invention after flames in human history,has indeed created a new era of civilization to a certain extent,bringing humanity into the historical period of the information revolution.As National President of China Xi Jinping said in his congratulatory message to the First World Internet Conference:" The Internet has truly transformed the world into a global village,allowing the international community to become more and more close.It's a network of all human-kinds." The use of characteristics in artistic criticism has led to a number of new problems and challenges in the online survival and development of art criticism.When it is placed in the field theory of French sociologist Bourdieu,it forms an online phenomenon--Art criticism field on-line.The emergence of online art criticism is an accident in the historical process of art criticism,and it is also an objective necessity.In this field,the composition of the actors,the habitual system,and the logic of capital competition have undergone earth-shaking changes over the previous field of artistic criticism.Based on above,this thesis chooses to start with the key words of Bourdieu's Field-Theory,analyzes the field of artistic criticism that emerged in the Internet era,and tries to describe its appearance.Excluding the introduction and conclusion,this article consists of four chapters.The first chapter begins by understanding the Field-Theory of Bourdieu,clearing the meaning of Field,habitus and capital,and the interactive logical relationship between these concepts,and then eliciting the On-Line art criticism which has both the characteristics of the media field and the characteristics of the art field.The second chapter mainly discusses the "actors" problem in the field of online art criticism,discusses the composition of the main personnel in the field of online art criticism,and discusses a series of problems caused by the "admission" of new actors.The third chapter mainly sorts out and analyzes the new habits formed in the field of online art critics,mainly from the perspective of actors' critiques of behavioral patterns-criticism,and critical discourse habits-discourse styles,etc.And at the same time,make some adjustments to some of the negative tendencies that form in the field of online art criticism.The fourth chapter revisits the logic of "capital" competition in the field of online art criticism.Starting with the discussion of the "degree of autonomy" of online art criticism field,and analyzes the shift of capital weight in online art criticism field,and at the same time,reflect the competition of all kinds of capital in the field,discuss its advantages and disadvantages,and try to put forward some opinions.In the epilogue,the article gives a certain conclusion to the art criticism in the new field.At the same time,it points out the core principles that must be adhered to construct an online art criticism field that can be called an art criticism field.
Keywords/Search Tags:Online media, Online Art Criticism Field, Actors, Habits, Capital
PDF Full Text Request
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