Research On The Stele Philology Of Song Scholar

In this paper,the Song Dynasty stone philology as a starting point,through the cultural background of the Song Dynasty stone philology,academic origins of discourse to explore the reasons for its occurrence,and comb and summarize the Song Dynasty stone philology in cataloging,collation,test achievement,according to terms and for future generations impact,assess their significance for future generations an example for academic.Paper is divided into six sections:The first chapter is the introduction,the first focus on combing the "Song Dynasty stone philology" related concepts,"stone carving" and "stone philology","Song Dynasty stone carving research" and "Song Dynasty stone research","Epigraphy" And "stone philology" three groups referred to the concept of cross-coincidence is slightly differentiated and defined;the Song Dynasty stone literature research brief history review,and comment on the pros and cons of previous research results.The second chapter focuses on the study of phonological and textual related research in the stone philology of the Song Dynasty.It focuses on the "Jin Shi Lu" and "Li Shi" and focuses on the study of stone carvings by the Song scholars.At the same time,from the stone inscriptions and notes in the Song Dynasty,the perspective of the Song Dynasty ancient music theory was hooked,and the impact of the “Xie Yun Shuo” on the interpretation of the stele inscriptions of the Song Dynasty scholars was evaluated.The third chapter reviews the collation studies seen in the stone inscriptions of the Song Dynasty,mainly focusing on the “Ji Gu Lu Ba Wei”,“Jin Shi Lu” and Volume XIV of “Li Shi”,Volume V of “Guang Chuan Shu Ba”,and others.Centering on the title notes,reviewing the achievements of the Song Dynasty's stone carving research in the setting of the scriptures and the collections of the poetry of the collation and collection department,and the academic training of the ruler collating system on the stone inscriptions,the influence of the Song study culture on the stone collation of the Song scholars,etc.The fourth chapter focuses on the achievements of historical textual criticism in the study of stone inscriptions in the Song Dynasty.By analyzing the textual criticism of historical chronicles,figures,official systems and historical events by the Ouyang,Zhao and Hong,the author gives a brief glimpse of the spiritual pursuit of the Song scholars' inquiry into natural resources,advocates the academic atmosphere of discerning falsehoods from textual criticism,and tries to evaluate the significance and limitations of the study of stone inscription in the Song Dynasty on the widening of historical research materials and the innovation of methods.The fifth chapter explores the content of the calligraphy evaluations of the Song scholars in the study of the remains of stone carvings from the stone inscriptions of the Song scholars,deeply understands their calligraphy concepts,analyzes their evaluation criteria,and then inspects their judgments on ancient calligraphy criticism and art.The role played by the promotion and evolution of ideas,to the extent to which their arguments influence the development of the history of calligraphy.The sixth chapter summarizes the gains and losses of the study of the rock carvings in the Song Dynasty.First of all,it analyzes the predecessors' evaluation of the study of the stone carvings of the Song Dynasty,and then on the basis of affirming the achievements and influences of the stone carving researches of the Song Dynasty,it reveals the ills,the flaws,and the problems of methods,and compare it with the literature research of Qing Dynasty stone inscriptions,and discuss the similarities and differences between Song / Qing's academics.It focuses on the analysis of the influence of the stone philology of the Song Dynasty,which is called "the study of the Song Dynasty generations," on both the positive and negative aspects of the later academics.