Wu Weiye Literature Research

Wu Weiye is one of the most outstanding writers of the late Ming and early Qing Dynasty,he had success in all aspects of poetry,drama,prose words,especially the"Meicun style" shining in the history of ancient literature without shame.The life experience of the Qing Dynasty replaced the Ming Dynasty make him regret remorse,but also greatly influenced his literary connotation and depth.This thesis is mainly to discuss the person and his literature from the following five parts:Chapter one,Wu Weiye's biography.This chapter is the outline of Wu Weiye's life experiences in Keju,the Ming Dynasty official,eight years of seclusion,the Qing government official is the most important node.Wu Weiye's life will be divided into four stages,respectively is reading,and return to marry from the imperial period;to Chongzhen emperor Hongguang Dynasty;" ignoble existence" to the north of Qing Dynasty official period.This chapter aims to Wu Weiye's life story was briefly combed.The second chapter is about Wu Weiye's relationship.More than 300 people could be find in Wu Weiye's life,according to the relationship between the friends of identity and Wu Weiye can be divided into several groups:the first part is Zhang Pu,Li Mingrui,Huang Daozhou as the representative of the teachers,Wang Taiji,Qian Weikun,Wu Qixun and Shen Shouhong as the representative of the Same-year,Yan Zhengju,Tu Zhong Ji as the representative of the disciples;the second part is by Chen Zhilin and Zheng Qinyu as the representative of the marriage,represented by Wu Qingfang and Ma Yunchang,as the representative of the country;the third part is Chen Zilong,Wu Jishan,Zhang Nanyuan as the representative of the friend;the fourth part is the Dai Mingshuo,Bai Dengming and other officials of general communication the fifth part is Monk Cangxue,Monk Jiqi;Bai Yuru,Wang Zijia and other artists,as well as Chu Yun,Qian Fu and other singers.This part aims at reviewing Wu Weiye's life through the sorting and investigation of Wu Weiye's friends.The third chapter,Wu Weiye's poetry.This chapter mainly focuses on the overall view of Wu Weiye's poetry performance.Divided into four sections:the first section is the overview of the development of the poetry of Wu Weiye,more than one thousand poems to split chronological research on Wu Weiye with existing statistical methods,making poetry split table by chronological table,and the density of his poetry creation is analyzed.The second section is about the distribution of Wu Weiye's poems,and analyzes the proportion of Wu Weiye's poems,and gives a brief account of the typical subjects.The third section discusses Wu Weiye's poetry poetry thinking,three aspects from the choice of subject matter,writing attitude and writing techniques are discussed.The fourth section focuses on Wu Weiye's poetics.Wu Weiye has no intention of writing systematic poetry theory,and his poetic ideas are not systematic.His attitude towards the literary heritage of the past and his understanding of poetry creation are discussed here.The fourth chapter,"Meicun style"."Meicun style,is the most important contributions to the history of ancient poetry by Wu Weiye.In this chapter discusses.This chapter is divided into four sections,the first section inspects "Meicun style"development stage."Meicun style" development is divided into three stages,with the evolution of Meicun style representative works in various stages of the search for the change of a bearing,Meicun style in different stages and characteristics.The second section is the narrative art of Mei Village,mainly from three aspects:the close connection of content and rhythm,historic narrative technique and diversified narrative techniques.The third section focuses on Wu Weiye's allusions exhibition.Divided into the following three aspects:source code distribution,density and allusions "Meicun style" allusion skills and Zhao Yi of "Meicun style" in the cases of improper allusions.The fourth section is about "Meicun style" rhyme skills,Wu Weiye made various attempts in Qi-gu rhyme skills,and apply it to the creation of Qi-gu.His poetry showed very early use of the four sentence and alternate rhyme tonal programs,later also have other style of rhyme forms as supplement.Overall,by a large number with a fixed program to the late free rhyme development,this is one of the characteristics of the evolution of "Meicun style".The fifth chapter is about Wu Weiye's Ci,drama and prose.This chapter is divided into three sections to discuss Wu Weiye's Ci,plays and prose.Wu Weiye's Ci and drama achievements are very high,but his poems cover them.The first section focuses on the transformation of Wu Weiye's Ci and theme classification to be discussed.Wu Weiye's Ci only one hundred more,but diverse themes,which is the highest proportion are chanting,and feeling of love.The second part is the analysis of Wu Weiye's legendary drama "Moling Chun" and "Tongtian TAI" "LinChun Ge".Wu Meicun's drama theme with the era drama theme close to the motherland the thought is the main content.The third section focuses on Wu Weiye's article creation.Wu Weiye has its unique aesthetic pursuit.His prose style is diverse and rich themes,there are traces of ancient prose and mixed language,is also a deliberate result.Among them,the articles of argumentation are clear and smooth,and they can always be issued by the predecessors.The appendix three,respectively is the chronicle of Wu Weiye Jane Wu Weiye,the official route table diagram and its Qi-gu rhyme schematic summary and rhyme.