A Study On Chinese Landscape Oil Painting Schema From The Perspective Of Aesthetic Formalism

Starting with the analysis of the definition of the schema,the author conducts a large-span macroscopic comparison of the essential differences between Chinese and Western paintings from the perspective of aesthetic formalism,and evidences the impacts of aesthetic formalism of Chinese and Western paintings on the Chinese landscape oil painting schema,so as to make a reasonable exploration of the integration and differences of the static structure,visual effect and artistic transform of Chinese landscape oil paintings,thus grasping a comprehensive understanding of the development trend of Chinese landscape oil painting schema.Objectively speaking,the word "schema" is a "borrowed word" from West countries and has a rich semantic connotation.It not only creates a special art schema for painting,but also has intricate relationships with artistic terms such as composition,image,form,symbol,etc.,and constructs a unique art system.Due to the painting reproduction of the landscape paintings,art schema has become an important vocabulary for painters.The landscape oil painting was originally in the West,when it wasintroduced to China,its schema reflected the combination of Chinese and Western styles under the influence of the aesthetic formalism of Chinese and Western paintings.Specifically,the construction of Chinese landscape oil painting schema from the perspective of aesthetic formalism is mainly reflected in the visual elements,namely the combination of lines,colors and spaces,and the integration of the " focus area","dynamic stillness" and "tension" of visual effects.As the Chinese landscape oil painting schema is inclusive from the perspective of aesthetic formalism.As a schema language,it is bound to be placed in a dynamic structural relationship by Chinese oil painters,and transformed by them from the essence,realm and concept of the aesthetic creation of painting,so as to convey the unique artistic spirit of China.Obviously,the Chinese landscape oil painting schema advances the individualized and nationalized development of Chinese oil painting art,and triggers the schematized phenomenon,so we not only need to dialectically explore its development trend,but also think creatively about it based on China's epochal characters,national cultural characteristics and individual characteristics of artists.To sum up,due to the particularity of Chinese landscapeoil painting,its art schema reflects the integration of Chinese and Western paintings under the influence of aesthetic formalism,that is,on the basis of drawing lessons and learning from Western classical painting schemas,Chinese oil painters construct Chinese landscape oil painting schema with modern semantics,in accordance with the aesthetic view,schema language and the comprehensive understanding of modern society,life,science and technology of traditional Chinese paintings,thereby promoting the booming development of Chinese painting art.