The Growth Of The Theory Of Contemporary Chinese Image Oil Painting Scenery Environment And Aesthetic Orientation

Chinese image oil painting scenery of the goal is to establish their own unique style and standard, however, on the basis of established style standard can only exist in the local context. In the context of contemporary international, as the pace of\"globalization\" intensified, transform the traditional cultural spirit in contemporary Chinese oil painting language is the demands of national identity and modern spirit,also is an inexorable law governing art development. Through the analysis of contemporary oil painters and their works is figurative, abstract mode of existence of performance, etc., to discuss \"in contemporary landscape painting pursues a kind of freehand brushwork in traditional Chinese painting, oil painting style, combining the images of both makes up for the lack of humanistic spirit of contemporary society, at the same time for Chinese oil painting\ " nationalization \" and\ " localization \" process provides a broad prospect.Chinese contemporary image landscape oil painting art has been existed in the development of oil painting in one hundred, in the process of distinctive regional culture characteristics and art form, make the art of this emerging again by the world attention.The first part of this article mainly elaborates the theoretical basis and other topics, and to explore the concept of the contemporary Chinese image oil painting scenery setting and connotation of the core, and then focus on sorting out of Chinese and western art and culture influence on contemporary Chinese image oil painting scenery.Imagery in the second part on China’s contemporary landscape painting aesthetic orientation three aspects were discussed, and its derived aesthetic philosophy, and deep analysis of Chinese image oil painting scenery art language each element in the form of expression, this to our understanding of the culture content of contemporary Chinese image oil painting scenery is crucial.The third part mainly through to the history of Chinese oil painting in one hundred on behalf of the paintings in the analysis, the combination of \ "localization\" and\ "nationalization\" regional culture characteristics, explain the writers in the creation of cultural background and the inner world, and prospect of contemporary Chinese image oil painting scenery the future development trend of wireless possibilities.As the pace of \ "globalization\" intensified, the standard into the traditional style of the spirit of contemporary Chinese contemporary art is the demands of national identity and modern spirit, is also a new art form of survival and development on the path, it also determines the as the existence of such a special art form must rely on of traditional painting materials in western media, convey Oriental traditional culture and ideology, it is its trait, is key point in the development of Chinese and western art close ties between the two, as well as the Chinese oil painting \ "nationalization\", \ "localization\" process provides a broad prospect.