Her syndan waelcyrian: Illuminating the form and function of the Valkyrie-figure in the literary, mythological, and social consciousness of Anglo-Saxon England

The image of the warrior-woman, or Valkyrie, occurs, in a number of forms, throughout the Anglo-Saxon corpus. Her appearance and function in these writings may be subdivided into three primary registers: the named-appearances of the waelcyrge, unnamed appearances of the waelcyrge in the charms and riddles, and unnamed appearances of the waelcyrge in heroic verse. Since the mid-1800's scholars have defined the waelcyrge in terms of the valkyrja, or Scandinavian Valkyrie figure, which is reductive and misleading and has caused an eclipse-effect in which the native elements of the waelcyrge have gone underestimated and undervalued. This is due in part to the scant amount of surviving evidence in Old English that references the waelcyrge. By closely investigating the texts in which the waelcyrge appears, I will attempt to demonstrate that the Anglo-Saxon conception of the Valkyrie figure is idiomatic, complex, and vastly different from the Old Norse conception of the valkyrja, and cannot be accurately defined by the same parameters which define the valkyrja.;The differing genres in which the waelcyrge appears also showcase the differing values and forms which differing demographics of Anglo-Saxon society held for the waelcyrge. Such a disparate range of value present in one character of folklore suggests that the waelcyrge was a multivalent figure within Anglo-Saxon folklore. At the liturgical level, the epic poetic level, and the folk-verse level, the Valkyrie image is revelatory of the complexities accompanying the native folklore of the waelcyrge. Many aspects of the waelcyrge are reflected in similar war-woman figures of pre-Anglo-Saxon, Germanic cultures, as well as in later, Scandinavian verses that post-date the usage of the waelcyrge in England. The function of the waelcyrge within a long tradition of Germanic, Anglo-Saxon, and Scandinavian works shows that the native English war-woman was not a figure used in isolation, but was part of a medieval dialogic in which the female divinity as an agent of war, cunning, and death was paramount. The inherent complexities present in the Anglo-Saxon Valkyrie-figure are key to interpreting her role within the tripartite structure of Anglo-Saxon literature.;Index Words: Valkyrie, Valkyjur, Waelcyrge, Anglo-Saxon, Anglo-Scandinavian.