Hegel's phenomenology of culture (Georg Wilhelm Friedrich Hegel)

The dissertation makes two principal claims. First, it offers a variation of what has recently been called the “non-metaphysical” interpretation of Hegel's philosophy. I argue that Hegel's theory as a whole is not a monistic ontology of the world-substance called “spirit.” Rather, Hegel's “philosophy of spirit” is an account of “cultural formations” (geistige Gestalten) in the same sense as Cassirer's philosophy of culture is a theory of “symbolic forms,” and Foucault's archeology is a theory of “discursive formations.” The “cultural formations” in Hegel include social institutions such as family and civil society, and cultural practices such as science, art, and religion. Cultural formations come into existence as products of human activity in the course of history. Hegel's philosophical theory consequently can be interpreted as a philosophy of culture. Hegel maintains that human being is essentially a cultural being and is essentially determined by its In-der-Kultur-Sein rather .; The second principal claim concerns Hegel's “dialectical” method. I argue that Hegel develops a non-essentialist, non-universalistic, and non-foundationalist philosophical method, that can still distinguish between truth and falsity, good and bad. The method, which Hegel called “speculative,” can in modern philosophical terms be most properly called “phenomenological.” It is phenomenological in the sense that it proceeds from the givenness of experience, and that it describes the structures of this experience. The difference between Hegel and Husserl lies in the fact that Hegel does not restrict the subject of experience exclusively to the consciousness of a single human individual. The subject of experience in Hegel can be a social group, such as family, estate, or a nation, but also a group of agents involved in a particular social practice, as for example in Hindu religion, or in Ancient Greek craftsmanship. This feature enables Hegel to widen significantly the scope of the phenomenological research and to apply it to communal, historically and culturally determined experience.