A Study On Image Narration In The Animation

Animation is a kind of artistic style covering a very wide range of contents which make the painters imagination galloping in the infinite time and space and bring a lot of fun to the audiences of all ages.As an indispensable and important part of animation creation the quality of Narrative completion directly influence the quality of the whole animation. In the study of animation Narrative it is worth conducting systematic and the thorough research for the animation narrative rules and characteristics. But current narrative fundamental research is still obviously weak and lack systematic theory constructionIn view of this, this article choose to take animation images narrative as a entry point to gain a deeper understanding of animation narrative art on the basis of previous research experience. The paper is divided into four parts:The first chapter starts with a brief narrative of the animated image of the domestic and international situation, outlined the narrative elements and level of the animation image and illustrates the theoretical value of the object image and animation narrative of practical significance.The second chapter discusses video images and sound narration of the narrative language. In the images section, the passage discusses the elements and semantic function of the images, and narrative structure, grammar rules and narrative sentence patterns of the montage techniques, and discusses the narrative role in lens construction about the length lens and scheduling scene. In the voice part, the passage analyzes the sound is an important element of the image narrative and discusses the important role in enhancing the image reality and narrative.The third chapter discusses the time and space of the images narrative. Narrative time is a basic problem in the animation narrative and is one of the animated image narrative features. This chapter discusses the basic forms of narrative time and the problems about the timing and interval of the animated images. Then the passage explores the narrative space of the animated image and discusses the space completes the moving images narrative with the time together and the time flow and space conversion has infinite potential in animation narrative. The paper focuses on the spatial narrative characteristics and composition on the basis of the above spatial narrative analysis foundation.The fourth chapter explores the narrative perspective of the animated image. The narrator is one of the essential elements of the narrative works. As a means of animation narrative, it reflects both the film narrative style and the overall concept. In many films it creates conflict, suspense and even plots itself that can bring some artistic fun. By the conversion of the point of view or the subjective and objective narrative and the cross of subjective and objective lens, the animation films often form different narrative angles in the overall narrative framework so that the images also have a sense of hierarchy.The fifth analyzes the narrative mode of the animation images. The animation works have developed into co-exist state including the short films, long films, TV series, drama series and requires the better narrative technique. According to the narrative theory the animation narrative structure can be roughly divided into two categories of narrative, that is, linear narrative and non-linear narrative.The sixth chapter discusses the animation narrative acceptation from the audience viewing activity which is a dynamic process of mental activity. The appreciate behavior of the audience often determines whether the animated images narrative is successful. Therefore, the research on the audience acceptation demand is particularly important. Based on the psychological needs of the audience of the various stages in watching activities the paper analyzes how to excite, maintain, develop and enhance the dissemination and acceptation relationship between the audience and animation by the narrative, explores theoretically how to meet the expectations, perception and imagination of the audience animated and make them get the sublimation of art by narrative.The seventh chapter is the conclusion part of the paper. In narrative the animation works can show the distinct characteristics and unique charm by combining the modern expressions with the local aesthetic tradition. The study on animation narrative theory has important practical significance on enriching the animation theory and improving the quality of products. Thesis is the applied research focusing on analyzing and solving problems and strives to study narrative laws of the animation images to provide some ideas for the local development.