Aesthetic Research On Stone Carvings Of Traditional Guanzhong Dwellings

Shuanma pile of stone carving art is an organic part of the Guanzhong area of Shaanxi Province ancient residential buildings, as well as unique folk customs in stone carving art classes Shuanma pile of stone carving art is not only embodies the values actually used in real life, ordinary, while also carrying on a spiritual level with residential owner demands for a better life in a particular time and place Shuanma pile of stone carving art of being concerned only recent thing, however, stone hitching post, but far more than a century in existence Guanzhong area is a unique place, take a look off in the land of the fields that many Royal Mausoleum, walk in standing in the moat banks of the ancient city wall, listen vicissitudes distant opera will be closed in the region's unique natural and cultural history of the shock.Perhaps it off in the thick of this unique historical heritage, which makes the charm of the hitching post of stone carving art until today the subject of attention.Guanzhong has always been the administrative division into three regions, Xi'an government, the government in eastern and western governments.Shuanma pile of stone carving art in Guanzhong area has three House remains, east of the government is up to.Currently, part of the folk stone hitching post along the ancient houses along been preserved, most of the hitching post stone works were covered up the cultural sector, a representative of these organizations are: Chengcheng Museum, Guanzhong Folk Museum, Xi'an Academy of Fine Arts.Hitching post for its unique stone carving art performance theme, rich expressive elements, eclectic sculptures are a growing concern and sought after, also emerged in academia considerable research, however, under its aesthetic perspective research needs to be further explored.Aesthetic study of any one work of art is the art of showing implication of the study of life, aesthetic research is not only based on the work of life, but also based on the human life.At present, because in the process of protecting the hitching post, so that these arts to leave the original environment, leading to the hitching post under the current environment does not give viewers time and space to show their unique life implication, therefore, the authors tie horse pile of stone placed in the traditional houses of the environment, and thus continue to extend its environmental levels of existence, eventually hope to have a more accurate interpretation of the meaning of its surface expression symbol system. Papers from the aspects related geographic environment, cultural context, regime change, socio-economic and social trends, etc., first comb stone carving art environmental features hitching post generated, based on the analysis of its basic problems title, dating, distribution, etc., the based on the perspective of the overall sort out the basic clue residential stone hitching post Guanzhong generated:plinth-door pillow stone-hitching post.The art of paper generated by the mechanism of hitching post as a logical extension of the basic articles, respectively, from the loess culture and rock culture, the official Ya culture and folk culture, literati culture and business culture, Han and non-Han Chinese culture cultural, residential and master stone workers in these contradiction between the start of the current attention hitching post "human control lion" shape,"barbarian" modeling issues such as the interpretation of the aesthetic Perspective.Following the logic of the hitching post had an elaborate carving of life, the article describes the stone hitching post reflects the Confucian culture, Taoist culture and Buddhism culture, and on the basis of this analysis, interpretation of stone carving art aesthetic hitching post cultural connotations.By Confucian culture "rocks plot","ritual" culture and "pile eye" perspective, explain the meaning of Confucian culture stone carving art of hitching post Guanzhong area has a long history of Chinese Taoism and Taoist culture, precipitated in the Guanzhong area of heavy Taoist Cultural Foundation. Ming and Qing Taoism in Guanzhong's "secular" tendency, creating a unique folk customs in China "auspicious cultural" symbol stone hitching post to become the most abundant element in the performance.In addition, the hitching post stone works without a similar characteristic, perhaps the spirit of Taoism in the stonework of the best interpretation.Guanzhong area to play in the process of Buddhism into China's important role in the pile of stone hitching post neck almost all used the "Xumizuo" is the most concentrated expression of Buddhist culture, in addition, with reference to the Buddha image Jingchuang stone shape in comparison, mostly stone bear emerged hitching post Buddhist cultural connotations.Stone hitching post has deep cultural connotation, allowing viewers to appreciate the implication of their unique life, people experience the beauty, the aesthetic experience is its specific form of external media, on the level of art form bolt hitching post still embodies its unique form of beauty.Hitching post of the raw materials are mined stone on North Hill Guanzhong area in the north, where the stone is very characteristic. Patterned features stone hitching post works are:hemispherical dome, diagonal principle, the principle of Unity in Diversity, in addition, similar to Chinese painting carving techniques fully demonstrated the external form of the bolt hitching post stonework beauty.Hitching post stone work carries too much cultural elements, structural analysis of the cultural elements of the system is truly grasp the meaning of his work aesthetic need, but also to further explain the premise of aesthetic style works. Cultural content presents a stone hitching post such an organic structure:Confucian history of precipitation, the reality of the pursuit of Taoism, Buddhism and draw logical home. These three organic unity in the stone hitching post, becoming a unique model of regional folk culture.These three organic unity in the stone hitching post, becoming a unique local folk culture models. In the specific cultural connotations, based on the performance of a variety of stone hitching post aesthetic style:the beauty of harmony, practical beauty, solemn beauty, the beauty of tolerance and so on.Shuanma pile of stone carving art in today's cultural environment and people's psychological needs hierarchy, its collection is a reflection of the phenomenon of "Big Sheep" aesthetic pursuit.Based on the vision stone hitching post, which contains a "door-home concept" and "Heaven and Earth" intrinsic aesthetic existence connotation Shuanma stone pile Art contains a specific meaning in life, the interpretation of the relevant people in the "human" understanding, embodies the right "and different" pursuit of a harmonious society.