Weibei Shuanma Carving Art Of Language In The Form Of Study

Wide variety of folk art in China, with strong local characteristics, they are different historical periods, specific geographical environment and human environment, the product reflects our national culture and geographical diversity of cultures and unique national characteristics. The mainstream of Chinese culture is based on court culture as represented by "temple culture", since the Western Zhou Dynasty since the Chinese dynasties are "temple culture" as an ideological core, excluded the involvement of folk culture. Speech from the Qin Han Fu, poetry, Yuan dynasty drama until the Ming and Qing Dynasties culture and prosperity in the performance of high-spirited are refined, respected Confucianism law ideas.In this temple as the ideological core arts and cultural environment, derived from various cultural styles, such as construction, painting, music, sculpture, poetry, etc. Yigai the lack of civilian life, folk arts participation. Folk art by Chinese dynasties of the literati as the board shall not something presentable and acceptable in bad habits of wild reckless Suburban.Thus, like folk songs, folk, then the word, rap, juggling, clay sculpture, shadow puppets and puppetry, face flowers, paper cutting, embroidery, etc., were excluded from the outside of the mainstream culture. So a lot of historical data do not give them the necessary attention of folk art. Until now, it seems that these folk arts are a great number of people in varying degrees of contempt. When now we come to study the folk art, there are both very difficult.Now, with the economic development, foreign cultural invasion, the state actively engaged in folk arts and culture finishing the excavation work that we have come to realize that these precious folk art, these folk art has gradually been the world attention they deserve.The north of Weihe River in Shaanxi Province, northern Shaanxi Loess Plateau, south of the region, namely Fu-ping, Pucheng, Chengcheng, co-yang, Hancheng, Dali and other counties and the surrounding areas, many villages still scattered and strewn floor erected a number of rain erosion by wind stripping the Shuanmashizhuang. Since 1982, Shaanxi Province, the cultural sector of these Shuanmashizhuang extensive study. The summer of 1985, from the Weihe River in Shaanxi inspection results Shuanma stone art exhibition, a sensation in Beijing. Experts and scholars whom shock, have praised this is "outstanding art, a major discovery," "folk Shuanma pile foundTo sum up and establish their own ethnic carving art system provides valuable information. "The experts also pointed out:" Shuanma pile Art inclusive rich ethnic, social and psychological content, it found that, in the sense of art and folklore are no worse than Qin terracotta warriors and horses unearthed. "Horse figurines unearthed. "Shuanma pile by implication are not limited to the cultural value of stone carving art itself, in the long course of historical development, Shuanma pile as big and so well-off wealthy gentry families tethered mule practical objects, in the elaborate carving made were often followed by made in accordance with along the learning of our Organization, in pairs or groups to establish a residential building in front of. Over time, also took place with the building itself is inextricably linked. Decorate existing buildings, showing off the role of the rich, while the town was given the evil spirits home, auspicious blessing significance. Shuanma pile belongs to folk carving art form. It is derived from the shape of the basic theme of the objective life, so it's performance is a unique delight of life, ethnic folk colors secular society.Now from the perspective of formal language carved to look Shuanma piles, including piles Shuanma overall introduction; analysis Shuanma pile carving art form;Shuanma pile carving art form of continuity and innovation in three aspects.