Research On Edo Chinese Poetry

The introduction consists of three parts.Research summary and ideas and significance;the reason of prosperity of Edo Poems;definition of Chinese Poetry History of Edo development stage.This chapter analyzes the preservation of Edo Chinese poetry literature,combing the development of Edo Chinese poetry research summary,explore the reasons for the prosperity of Edo Poems,to provide a more comprehensive grasp of Edo Poems.The main body consists of six chapters.The development of Edo Chinese Poetry;the prosperous period of Edo Chinese Poetry;the summary period of Edo Chinese Poetry;Edo female Chinese poet creations.Among them,the prosperous period of Edo Chinese poetry is divided into two chapters;Edo Poems of the inheritance and development of the Ming and Qing poetics.The first chapter is the development of Edo Chinese Poetry(1603—1679).This chapter examines the creation of the early Edo Chinese Poetry pattern.Juna Kinoshita and Edo Parnassus respect "Tang" poetics wind.This period,on the one hand Edo Chinese poetry inheritance Wushan poetry style,respected Song Poems;on the other hand,under Juna Kinoshita and other scholars initiative,the Edo Chinese style for the development of the respect "Tang" dynasty poetics.The second chapter is the prosperity of Edo Chinese Poetry(Part 1)(1680—1759).The object of this chapter is Linmen,Mumen,Horikawa School and Xuanyuan School Chinese poetry creation.To explore the development changes of "respect Tang" Poems on the development in this period and the influence on Edo Chinese Poetry.The third chapter is the Edo Chinese poetry prosperity period(Part 2)(1760—1829).The object of this chapter is Hokkai Emura,Youlan Society Chinese poet,Hundun society Chinese poet,Jianghu Poetry Society and the monk’s creation such as Jishu Chinese poetry creation.Analysis of the Jianghu Poetry Society presented Qingxin Xingling poetry theory and its role and influence of Parnassus.The fourth chapter is a summary of Chinese poetry in Edo period(1830—1867).The study of this period is Tansou Hirose,Kyokusou Hirose,Yanagawa Seigan,koan Fujimori,Chikugai Fuji,Shoin Yoshida,Unjo Touyama,Chikadou Saitou and the Edo shogunate poets,such as Koki Okamoto,Kozan Ono,Chinzan Oonuma,Shoto Suzuki,Shunto Mori.Studied in Chinese poetry and creative ideas on poetics,it presented a compromise of style.The fifth chapter is the female poet in the creation of the Chinese poetry during the Edo period.This chapter analyzes the Edo period female Chinese poet creation background,analysis of the Edo female Chinese poets,such as Saikou Ema,Saihin Hara,Koran Yanagawa,Suzuki Soutyou,Oozaki Kokado.The artistic achievement and status of the Edo period female Chinese poet for the position.The sixth chapter takes the Effect of Shi Sou on The Poetry History of Japan as an example,discuss the inheritance and development of the Edo Poems of the Ming and Qing poetics.This chapter from three aspects of the form,content,aesthetic poetry,discussed the Effect of Shi Sou on The Poetry History of Japan.Discrimination the Edo period of this intersection and the new variant of the Chinese and Japanese school concept.Conclusions consists of two parts :creative features and achievements of the Edo Chinese poetry and the localization of the Edo Poems studies.This chapter mainly carries on the summary and the appraisal of the creation of the Edo Chinese poetry creation characteristics,achievements,status and function.