Research On The Art Of Chinese Traditional Bedroom Furnishing

The art of traditional home furnishings collectively reflects the ancient Chineseway of life,cultural concepts,and aesthetic fashion.It not only creates a comfortable and convenient living environment on the material,but also spiritually builds a poetic dwelling unique to the Chinese people.Since the ancestors began pursuing the beautyof the living environment,art of display has been ubiquitous in life.After thousandsof years of development and evolution in the soil of traditional culture,a language andconcept with distinctive Chinese characteristics have been formed;at the same time,the language and order of traditional home furnishings have evolved with changes intime and space,and each period has developed.Vibrant era style features.Although the historical relics of ancient home furnishings are very impressive,the fragmentation and fragmentation make it difficult for us to feel the vividness andliveliness of traditional home furnishings.For a long time,studies on traditional homefurnishings have been scattered among different disciplines according to differenttypes,and there has been a lack of connection between traditional artistic language and order of living room furnishings.The paper makes full use of the researchmethods and research results of image science,philology,archaeology,and integrates the micro and macro aspects,time and space,and studies the traditional art of housefurnishings from the perspective of environmental art.The thesis divides the art of traditional home furnishings into the gestation period,development period,and maturity period,which correspond to the period from the Neolithic period to the Spring and Autumn Period,the Qin and Han dynasties to the Sui and Tang dynasties,and the Ming and Qing dynasties.The study of thedissertation not only pays attention to the down-to-earth "device",but also pays moreattention to the metaphysical "Tao".It comprehensively and systematically expoundsthe change and development of the artistic language,spatial order,aesthetic style,andcultural concepts of the furnishings of the home in each period.Furthermore,itconcludes that the external expressions such as the language and spatial order of the furnishings of the home have a strong variability,and the aesthetics and ideas of the furnishings of the home have continuity and stability.In addition,four maj or aestheticsystems that influence and dominate the development of traditional home furnishing furnishings are proposed:etiquette aesthetic system,power aesthetic system,literaryaesthetic system,and commercial aesthetic system.