A Study Contemporary Vocal Music Art In Tibet

In the new era of "world multi-polarization","economic globalization","social informatization" and "cultural diversity",with the gradual development of China’s comprehensive strength in various fields,the exchanges and cooperation between China and the world have become more frequent and closer to the center of the world stage.However,in the process of outward communication,there appear the dilemma of "identity","disorder" and "aphasia".Vocal music has the function of enlightening the mind and wisdom,edifying sentiment,regulating emotion and artistic enjoyment.At the same time,in today’s rapid development and changing,and the context of the era of "area" development strategy,in southwest China and the Tibet has a location and geographical advantages,to Himalayan economic cooperation zone "," ring " meng sino-indian economic corridor " and so on South Asia economic circle to promote the development of economy,society,culture and education in Tibet.As an important part of culture,how can the contemporary vocal music art of Tibet convey its "identity" and "cultural self-confidence" and construct its own unique theoretical discourse system in such an era。This paper chooses the core proposition of "contemporary vocal music art in Tibet",which is defined and limited in terms of place andtime.It has set up four important parts of "Tibetan vocal performance-Tibetan vocal education-Tibetan vocal creation-Tibetan vocal publishing",and conducted a parallel study with both differences and links.This paper adopts the theories and methods of music performance,music education,composition,music editing,art management and ethnomusicology to study the contemporary Tibetan vocal music,reflecting its characteristics of continuity,permeability,intersection,complementarity and connotation.Therefore,on the basis of inheriting and spreading the traditional vocal music art in Tibet,the paper develops and innovates the contemporary vocal music art in Tibet,so as to make some gains and breakthroughs in this field in the synthesis and comparison,and expound its new views and opinions.Paper core content is mainly to the Tibetan contemporary music performances and singer,Tibet contemporary music education and vocal music educator,Tibet contemporary vocal music works and the composer,and Tibet contemporary vocal music theory print and audio-visual products,the representative works of institutions,character,and so on has carried on the related important theoretical interpretation,and about the present situation of the existence of the four parts are summarized and the related countermeasures and suggestions.The conclusion summarizes the common characteristics of the four components: regional and national,cosmopolitan and contemporary.Inaddition,this paper summarizes and explains the blank field and virgin land of current research on Tibetan contemporary vocal music art,and puts forward the feasibility and necessity of constructing the theoretical discourse system of Tibetan contemporary vocal music art from the perspective of objective facts.