A Study Of The Literary World Of Harbin In The Period Of Manchukuo

In recent years,the study of Manchukuo literature has received extensive attention and made great progress,especially in Chinese and Japanese academic circles.As a complex and intersecting research field of vision,no matter Japan,which regarded itself as a colonial ruler in the 1930 s and 1940 s,or China,which suffered from the invasion of the Japanese Empire and was deeply suffering,will face many unavoidable problems and significant differences between Chinese and Japanese scholars based on different positions and historical views.Among them,the study of Harbin literary circle during the period of Manchukuo,as an important part of the literature research of the Manchukuo,with its unique existence form and influence,can have a glimpse of the original history of that time,comprehensively and objectively show the criminal behavior of Japanese imperialist cultural colonization and ideological colonization,and the immortal struggle of outstanding Chinese intellectuals with pen as sword.The purpose of this paper is to study the literary creation in Harbin during the period of Manchukuo.By combing the relevant historical materials,this paper presents the original historical appearance of Harbin literary world in this period,combs the development track and characteristics of Harbin literary world in the period of pseudo Manchuria,and focuses on the Harbin literati group in the period of Manchuria,so as to deepen the theory of the characteristics of Harbin literary world in this period.It provides another research perspective for the scholars to analyze the literature in the period of Manchukuo.The study of Harbin literary world in the period of Manchukuo is based on the historical evolution of Harbin literary world,the evolution of writers' group,the shift of focus,the activities of literary magazines,literary associations and exiles inside Shanhaiguan Pass and the diversified composition of literary circles.It deeply explores the relationship between Harbin's literary world and this era,and presents the research on the cultural colonial rule of Harbin by Japanese imperialism in the period of Manchuria Research perspective.Through the excavation of the original meaning of the works of Harbin writers in the period of Manchukuo,this paper clarifies the development of literature in this period in detail,complements the previous literature research in the period of Manchuria,and perfects the research system of the whole Manchuria literature.This paper is divided into six parts.The introduction part describes the research motivation,the research content,the research background and problems,research methods,literature review and so on.This part is divided into four chapters: the first chapter mainly starts from the historical background of Harbin literary world in the early period of the puppet Manchuria state,lists and comments on the left-wing patriotic writers who represent the main achievements of Harbin literature in this period,and summarizes The characteristics of the contest mode between aggression and anti aggression in Harbin literary world in this period.The second chapter discusses the way of literary existence in Harbin during this period under the high-pressure cultural policy implemented by the Japanese puppet authorities after the Lugouqiao Incident,and shows the characteristics of the Anti Japanese Alliance literary activities in Harbin literary circles during this period.In the second half of this chapter,it expounds the literary activities and influence of the �Big north wind� writers group formed in the autumn of 1939 in Harbin,and discusses the literary works ang creative living style of Guan Monan and Chen Di,two literary fighters who continued to fight in Harbin literary circles during this period.Finally,this paper summarizes the background,purpose and historical value of the International Association,a private regional newspaper founded in Harbin in the early days of Manchuria.The third chapter discusses the real situation of Harbin literary world in the late period of the Manchuria,that is,from the policy level of the Japanese puppet authorities' overt colonization of literature in the enemy occupied areas,explores the cruelty of the Japanese imperialist cultural colonization policy,and takes Xiao Hong's novel creation as the main line to summarize the literary creation activities of the Harbin writers in exile to inside Shanhaiguan Pass during this period.At this stage,the writers in exile in Harbin have their unique and distinct literary ideas,which are clear and distinguishable,but at the same time,their mentality in exile is also very complex,so their literary creation mode is also constantly adjusting and changing.In the fourth chapter,the diversified literary world of Harbin in the period of Manchukuo was summarized with Japanese literature and Overseas Russian literature as the main parts.In the aspect of Japanese literature,firstly,the representative Japanese magazine The North Window in Harbin literary world in this period was taken as the research object,revealing the real appearance and colonial literary tendency of this Japanese literary magazine.It also discussed Uchitake Syouichi,the chief editor of the magazine The North Window and the literary biography of the female writer Ushijima Haruko in the period of Manchukuo.Overseas Russian literature is also an important part of Harbin literary circle in the period of Manchukuo.This paper discusses its causes and development,expounds the representative writer Bai Kuofu and his literary works in Harbin literary circle in the period of Manchukuo,and makes a specific elaboration on the most popular magazine Border,which is the most popular magazine of Harbin overseas Russian.The conclusion part combines the particularity of pseudo Manchukuo literature to sort out and summarize the Harbin literary world in this period.From the perspective of practical significance,the research on Harbin literary world during the period of Manchuria can help us to restore the historical truth of this era more comprehensively,reveal the panorama of the Northeast becoming a colony during the period of Manchuria,and refutes the various fallacies of Japanese imperialism in beautifying and denying aggression.