Research On Audience-actors Exchange In Chinese Experimental Theatre(1978-2019)

The creation and production of theatre,as well as all its derivative elements about theatre,revolve around and can't escape the existence of the relationship between watching and acting.All the direct or indirect communication and conduction in the relationship of watching and acting is the communication of watching and acting of theatre.It is an important research field to conduct dynamic and interactive research on the contemporary Chinese experimental theatre with the theater audience as the center,both in terms of the communication of watching and performing,and in terms of experimental theatre.The time period in this paper since 1978.The theatretic audience refers to the audience on the macro level generated in the dynamic mode of production-acceptance of theatretic art.On the experimental theatre,refers to the stage practice experiment with the spirit of the first,the second nature of the experiment,to a variety of new things,has a stubborn preference for the grotesque and philosophical,to a strong exploration of the relationship between the audience and the performance,in the theatretic structure and expression of the courage to continue to break through.Based on this definition,this paper combs the development process of Chinese experimental theatre from the synchronic perspective,analyzes the audience of experimental theatre,expounds the basic model of viewing performance of experimental theatre,summarizes the viewing evolution of experimental theatre from the diachronic perspective,and probes into the interaction between viewing communication and experimental theatre as well as the contemporary social context,which can make the experimental theatre and viewing communication flow So as to better understand the Chinese experimental theatre and its exchange of performance observation.Experimental theatre should not only be a defining theatrical term of a period,but also a stage product of a typical dynamic dramatic innovation.Those who believe that experimental theatre is dead in the history of drama are rooted in the fact that experimental theatre is a single art in a fixed point of time and space,and ignore the experimental theatre mobility due to its continuous renewal and the history of innovation that extends the boundary before and after it is not connected.By analyzing the experimental theatre in the mobile and open category,it can be found that the experimental theatre is impossible to die out and will exist for a long time in the development of theatre innovation,and it cannot be ignored.The development of experimental theatre consists of four stages:the exploratory experimental theatre in the early stage,the pioneering experimental theatre in small theater,the commercial small theater theatre and the cross-boundary experimental theatre after concealment,and each stage has its main innovation objects and experimental objectives.The audiences of experimental theatres are mainly the middle class,all of them have higher educational background,and most of them are younger,which roughly includes three major audiences:the college students,the free workers and the artists.There is collective commonality among the experimental theatres audiences.Starting from the collective audience,it can help us understand why there exists obvious audience and audience communication in experimental theatres.In addition to the unique communication between the audience and audience,experimental theatre also has the basic communication between the theatre and audience,actors and audience.For the theatre(scriptwriter,director)and the audience,the communication between the theatre and the audience is mostly reflected in the communication between the scriptwriter,director and the audience.The scriptwriter and the director mainly guarantee the theatrical tension of the theatre by presetting the viewers.For the actors and the viewers,the actors mostly magnify their performance tension through the writing and communication of their body language,so as to better realize the communication between them and the viewers.Through above synchronic analysis of the experimental theatre from the perspective of diachronic,we can tease that the experimental theatre audience-actors exchange exists in the elements from the theatre to diverse evolution process.The impact factor behind the experimental theatre audience-actors is explored in the context of contemporary China.The trend of culture-market two-way linkage is subsistent.Through the research on the audience-actors exchange in contemporary Chinese experimental theatre,we can deepen the understanding of the uniqueness and dynamics of experimental theatre,and provide a new way and perspective for the understanding of experimental theatre.Secondly,we can explore the exchange of performance observation of experimental theatre,and explore the relative dynamic relationship among its important elements,which is conducive to a better understanding of the performance observation of experimental theatre.Finally,we can build a dynamic and interactive The study of mutual exchange of Chinese experimental theatre can complement the perspective of exchange of performance which occupies an important position but is often absent.