The Study On The Aesthetics Of The Lijiang Dongjing Music And Its Evolution From The Perspective Of Folklore

The Lijiang Dongjing music is the traditional music of Naxi people in Lijiang,Yunnan Province.It is mainly popular in the Naxi people's living areas.After hundreds of years of inheritance and the continuous development,it has gradually changed from the earliest Taoist music to the pure aesthetic form,and has gradually become the cultural symbol of Naxi people in Lijiang.Dongjing music in Lijiang is not a native art of the Naxi people in Lijiang,but was roughly introduced to Lijiang,Yunnan Province,from the Central Plain during the Ming and Qing Dynasties.In the early days,it was Taoist music.It integrated Taoist rituals such as talking and chanting,and became an art form with high religious value.With the completion of the changing policy of the prefecture of Yunnan Lijiang and the development of the imperial civil service examination system,The Lijiang Dongjing music gradually become the form of culture and art that attracted the intellectual community and the ruling class,and gradually got the recognition of people in Lijiang area who has high art aesthetic taste,making it spread from religious context to reality context.Music is a way of artistic expression from social and individual perspective.It interprets the process of historical development,the beliefs of the age and the social aesthetics in a highly artistic and concise way.The Dongjing music existed in the form of music carrying the history and social customs of Lijiang.It has a high degree of interpretation to the historical evolution and the change of social structure in Lijiang.In the long course of history,with the further integration of Confucianism,Buddhism and Taoism,in The Lijiang Dongjing music,the expression of Taoist belief and the worship for it has been gradually weakened,and replaced by a comprehensive art form combining the core of Confucianism,the external expression of Buddhism,and the sincere belief in Taoist.And with the development of the revolution of Xinhai and the founding of new China,combined with the socialist market economic system reform's influence on the economic and social development in Lijiang area,The Lijiang Dongjing music further become the artistic expression in the context of the present age.As an intangible cultural heritage of Yunnan Lijiang,The Lijiang Dongjing music has become a form of art with highly ethnic aesthetic and folk aesthetic,and fully integrated with the material and spiritual culture.In the process of writing,this paper uses the methods of induction and deduction,field analysis,the combination of theory and practice,and literature analysis.Based on the perspective of folklore,the chapter studies the music aesthetics of Lijiang Dongjing music and its changes and development.In the actual research process:The first part aims to depict the the Lijiang Dongjing music overall status and characteristics,in defining the core concepts,combined with the Lijiang Dongjing music instrumental music type,mass base,phonological rules and religious attribute and media,and so on is discussed,on the basis of respectively from the Lijiang Dongjing music of traditional by the cavity and the inheritance of form,to "tune up" piece of inheritance and retention,the retention of traditional music text,a traditional Chinese musical notation and use characteristics described in brief.Ontology research also explored the origin of the Lijiang Dongjing music folklore,against it introduced from Ming dynasty Yongle,Jiajing years into different origin is based on historical data of dialectical analysis,and focused on the origin of Taoism branch instrument in the form of ritual music tradition,central plains and the way of the ancient central plains heritage are summarized and analysis,and combining the "Lijiang government record","the jade emperor set by the bank on high","keep peace forever" text treatise origin analysis.The second part of the Lijiang cave music field investigation.This part through indoor,investigation,interviews and the representative of organization performance view,Lijiang,Dongjing music wind,string and percussion instruments summarized the situation of the usage and exploration.During the investigation,the author found that the high historical continuity and traditional retention of the music performers in Lijiang Dongjing show in the inheritance and continuation of the work scale music,which makes Lijiang Dongjing music different from the derivative characteristics of the general traditional music.Therefore,the author and the local Dongjing music researchers have copied and sorted all the ancient works collected by the researcher.And in combination with the impromptu characteristic aesthetics,play blend aesthetics,tempo,and rhythm aesthetics as well as by the cavity and to conduct a comprehensive comparative analysis form aesthetics.This part also combined with the author's field investigation of the Lijiang Dongjing music,for The Lijiang Dongjing music inheritance form and performance form of detailed analysis.Finally,this part also carries on the ecological description of the Lijiang Dongjing music inheritance,forming a deep understanding of the contemporary inheritance and artistic expression of The Lijiang Dongjing music.The third part studies the evolution of folk aesthetics of Lijiang cave classics music.This part focuses on the history and folk culture aesthetic change ideas,combining the nanzhao dynasty and tang dynasty cultural exchange,the Taoism and ti penetration,yuan dynasty drama culture and the music of ci poetry ti representative analysis phases such as aesthetic fusion,and combining the minority population and the mixed fusion,ethnic culture,religious belief and religion and infiltration of the central plains culture and economic and social development of music influence factors such as correlation analysis,to combed the clues and the changing of the function of aesthetic symbol in the Lijiang Dongjing music history and folk culture.The last part discusses the contemporary value and development of the Lijiang Dongjing music.This part focuses on The Lijiang Dongjing music inheriting Dongba culture,spreading Naxi ethnic essence of Lijiang,carrying forward traditional religious culture,interpreting ancient city culture and non-material civilization and other functions to summarize the necessity and inevitability of its inheritance.Furthermore,it summarizes the significance of The Lijiang Dongjing music is helping Yunnan Lijiang ethnic cultural inheritancing,promoting Yunnan ethnic cultural industry cluster,promoting the cultural integration of China's ethnic music,preserving religious cultural traditions in ethnic areas and promoting the development of cultural diversity in China.Finally,the paper puts forward the development path and logic of integrating the government,social subject forces,media forces and other multiple subject forces in the protection anddevelopment of The Lijiang Dongjing music,forming a systematic lineage of Naxi culture inheritance and protection in Lijiang,which is the key to the long-term development vitality and growth of The Lijiang Dongjing music.Based on the macroscopic mainly embodied in the contribution of the research significance,from the aspects such as cultural fusion,religious integration,migration to explore the development of the Lijiang Dongjing music,formed a systematic understanding of the Lijiang Dongjing music and aesthetic understanding,combed the the Lijiang Dongjing music in the music culture development framework,to lijiang,Dongjing music realizes the ethnic culture and ethnic spirit of integration based on the meaning and value of aesthetics and the height of the folklore confirmation.The significance and contribution of this paper in the aspect of micro research is shown in the ontological description of Lijiang Dongjing music,the comprehensive description of this classic cultural landscape with high ethnic characteristic and folklore,the integration of historical clues and times clues,and a comprehensive analysis based on time and space.The innovation of this paper is embodied in two aspects: theoretical innovation and practical innovation.The theoretical innovation lies in the combination of the analytical paradigm of folklore and aesthetics to examine the Dongjing music of Lijiang from a new perspective,and to depict the cultural forms,religious historical changes and social life derivation of Naxi people in Lijiang under the field of subject interaction.The practical innovation of this paper is embodied in the protection of intangible cultural heritage,the publicity and protection of ancient city culture and Dongba culture,and the linkage and cooperative protection of the government and social organizations as the exploration to improve the inheritance and development level of Lijiang Dongjing music,and outline the feasible path for the long-term development of classical traditional ethnic culture.