Exquisite World

The space art of making object in ancient China is about the space in which ancient Chinese people transmitted their spirit and thoughts through objects.This is about the art of objects.In ancient China,the space form of object art can be associated with the way that the ancients looked at things.Things in the eyes of the ancients were often contained in the triple universe.They are macro universe,micro universe and intermediate universe.These three universes influence the form and meaning of making object art on different levels,and bring diversified exploration and diversified pattern to the space of this art.The first chapter takes gardening as the macro vision of making object art,and analyzes the influence of different macro concepts on the theme of gardening.Every macro universe contains different concepts and ideas,which often affect the structure,framework and boundary of art space.This paper will explore the structure of Old Summer Palace,ten landscapes of West Lake,Lion Forest garden and Xiao Youtian garden to explore the changes of structure,framework and boundary in the macro universe.The second chapter takes the rockery design as an example.Compared with the macro vision,the rockery design in garden presents a micro universe in the art of object.At this level,we want to explore the close-up,touchable and specific creation problems.This paper takes a set of Gen Mountains texts,two paintings of stone forest rockery,and three pieces of Lingbi Stone as examples.In the making object art of different scales,excavate the space diversity of the oneself of object.The third chapter takes antique-and-curio shelves as the object of discussion of intermediate universe.Shelves is located between the all things in house.It deals with the complicated and interlaced information of time and space,and establishes the order of all things.The middle universe is about the relationship between macro and micro.In this paper,the author takes examples about antique-and-curio shelves of palace,assemble scholars of painting and curio boxes of Qian Long Emperor to explore the space-time diversity of things in different dimensions of relationship and order.The fourth chapter is a summary of the contents of the first three chapters and a re discussion of the relationship among the three.By studying the space of Chinese ancient creation art,this paper tries to find the diversity and law of Chinese ancient art in the aspects of matter,space and thought.