The Realization Of Sensation:A Study On Cézanne's Painting In The Middle ? Late Stage

From the perspective of phenomenological ontology,this dissertation studies the transformation of Cézanne's painting from "form formation" in the middle stage to "context formation" in the late stage.Through the three key words——nature,feeling and reality,it combs Cézanne's transformation from “little feeling”,“discovery of theme” to “initial manifestation of internality”,and then to “activating Pusan in nature” and “capturing reality without leaving sensibility”.At last,it goes to a series of progressive exploration tracks of painting,such as “the restoration of the natural origin”,“an impossible non object painting” and “a poetic feeling of only remaining colors”,so as to explain Cézanne's secret method of showing the truth of artistic ontology in his later years.The dissertation is divided into three parts:Part ?: Literature Review—Studies on Cézanne's ArtChapter One examines the current situation of the art of Cézanne in the foreign language systems through four sections: the formal analysis of the study of Cézanne's paintings in the English system,the phenomenological existential study of Cézanne's paintings in the French system,the study of Cézanne's paintings in German system and the study of Cézanne's paintings in other languages.The second chapter sorts out the status of Cézanne art research in the Chinese system by means of “ Taiwan Cézanne painting research” and “the Mainland Cézanne painting research and analysis”.Part ?: Study on Form Composition of Cézanne's paintingsIn Chapter three,the paper examines the historical evolution of form through four sections: "etymological explanation of form","the evolution of the concept of form in the history of art","the form theory related to Cézanne's painting form" and "from Merleau Ponty's Cézanne's Doubts to see the form of Cézanne's paintings".Chapter Four tries to explain the form composition of Cézanne's paintings through five sections: the “primary perception”—Cézanne's romanticism,realism,impressionism period,“the discovery of theme” and the initial manifestation of the internality”,activating Pusan in nature” and “not leaving sensibility to capture reality”and “form composition of Cézanne” and “form composition—human legislation for nature”.Part ?: Study on the Refinements of the Late Cézanne's PaintingsThe fifth chapter combs the aesthetic relevance of the historical evolution of "man and nature" through three sections: "etymological interpretation of nature","evolution of the concept of nature in the history of art" and "relationship between Cézanne and nature".Chapter Six interprets the composition of the refinements of the late Cézanne painting through “the over-all impression of the origin of nature”,“an impossible non-target-oriented painting—the separation of comments and hearsay”,“Physis and Aletheia—nature,gush,truth and demasking”,“the transformation of poetic perception and color”,“the composition of residual color and color” and” the formation of refinements instead of form”.This dissertation holds that Cézanne's exploration in the last six years of his late life is a manifestation of natural emergence and truth.During this period,Cézanne's painting method from realizing the feeling to giving up the feeling pushed the perceptual method of knowledge to a deeper level of existence.This is an integral transformation from the form of painting to the context of painting,from the formalism of painting to the ontology of painting,which contains the occurrence of life events of artistic truth.In today's vulgarized and virtualized art representation market,image symbols are constructed to regulate the production and value transformation of the representation model framework for the purpose of the integrity and comprehensiveness of the market operation mechanism,so that the truth of painting is submerged and lost in the vastness of the market.In such an era,Cézanne's exploration contains the inspiration of nature and the power of artistic belief.It can cure the mania of absolute freedom of today's art,the depression of castration,and get help in the spiritual depression of excitement and depression! Today's painting,with an absolutely marginalized attitude of existence,detours into the poetic depth of existence and finds the scale of "reality" again.This is the beginning...