A Study Of Family Images In Domestic Animation Films

"Home" is a concept with special meaning in Chinese culture,and it has social and cultural attributes at the same time.Family image is not only the reflection of social reality,but also the indirect presentation of ideology and values changes in different historical periods and specific social situations.Due to the great freedom in the production of animated films,which can better present the image,this paper,with the help of the family image in domestic animated films,takes the perspective of family sociology as the basic framework,investigates its evolution,and discusses the changes of family image features in animated films and the interaction between these features and social context.In the first chapter,this paper clarifies the overall development process of domestic animation films and the changes of relevant policies,so as to prepare for further research.Next,the main body of this paper is divided into two parts,the second to the fourth chapter and the fifth chapter.The second,third and fourth chapters analyze the family image in domestic animation films from three dimensions: family structure,family function and family relationship.The second chapter focuses on the changes of family structure.After the founding of new China,Chinese families have shown an obvious trend of core and miniaturization,which is in line with the reality in the relevant works of domestic animation films.In the works analyzed in this paper,the core family and direct family account for the absolute majority,especially after the 1990 s.In addition,due to the influence of many factors such as reality and relevant policies,some images of the family are in a state of absence at a specific historical stage.The third chapter discusses the issues related to the family function in the related animation films,and it can be seen that the family function in these works presents a more utilitarian trend.The production function concerned by family sociology is shown in the form of housework,while the consumption function is reflected in the shaping of family environment.In contrast,the educational function of family is the focus of domestic animation films,and it is also the focus of this chapter.The measures of rewards and punishments in family education have changed from oral form to material form;children's self-education has been deliberately highlighted at one time;while emotional education,generation after generation education,two-way education and other issues have been brought by grass in domestic animation films.The fourth chapter discusses the family relationship in animated films.The characters of family members are presented in their interaction process,as well as in the specific relationship,in which the relationship between husband and wife,the relationship between children and the relationship between parents and children are the focus of family sociology research,and also the most important performance object of domestic animation films.In the works that show the relationship between husband and wife,the contradiction between the old husband and wife is mainly portrayed.The situation that the young wife gradually becomes a "tiger" and gives orders to her husband is generally presented.In addition,the discussion on the equality between men and women is a flash in the pan.The interaction between children is an important part of relevant works before the 1980 s.With the introduction of the one-child policy,the interaction between children and their generation gradually exits the screen.The parent-child relationship mainly involves three aspects,that is,the phenomenon of children's unfilial to their parents,parents' interference in their children's choice of spouse and parents' education to their children.In the late 1990 s,especially after entering the 21 st century,the images of family members in these animation works are similar to those in the 1950s-1970 s,and there is a problem of homogenization again.After the above analysis,the fifth chapter makes a diachronic analysis of the elements related to family image,analyzes the reasons for the changes,and summarizes the characteristics of family image in different dimensions in domestic animation films,especially the most directly visible changes of family members' image.After that,according to the existing situation and the known law of development,this paper discusses the possible changes of family image in related works,and discusses the reaction of family image in domestic animated films to the society.Finally,in the conclusion part,on the one hand,it discusses the breakthrough and Enlightenment brought by some excellent works in recent years,on the other hand,it discusses the quantity and quality problems of domestic animation films with the theme of family life,and analyzes the reasons behind the problems.In addition,this paper reflects on the shortcomings of the research,and makes a reflection on the improvement of theoretical reserves and research methods in the follow-up research.